Rookwood Pottery of Cincinnati -- the largest, longest-lasting, and arguably most important American Art Pottery -- reflected the country's cultural and commercial milieux in the production, marketing, and consumption of its own products.
Rookwood and the Industry of Art is a critical appreciation of Rookwood's rise to its commercial pinnacle, assessing the labor practices and production of ceramic ware as a way to explore anxiety about women's roles outside the home as well as about industrialization, immigration, and urbanization.
In this illustrated study, Nancy Owen analyzes the discrepancies between the concepts of fine art and culture and the managerial positioning of the firm as "an artist's studio, not a factory." Owen also looks at the meaning of Americanness as portrayed in the choices of decoration and in the marketing campaigns that sought to elevate the ceramic ware to an artform.
For the collector as well as the cultural historian, Rookwood and the Industry of Art is a revealing and sensitive treatment of this uniquely American commercial and artistic phenomenon.
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Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
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According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
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