San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery. Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.
Goes to the heart of contemporary arguments about the "primitive" and the "modern" minds, and draws new social, anthropological, and ethnographic conclusions about the nature of ancient societies.
... 15, 16 RARI archive; 17 George Stow, IZIKO South African Museum; 18 Aron Mazel, Natal Museum Collection; 19 left: Richard Katz, right: Aron Mazel, Natal Museum Collection; 20 RARI archive; 21 George Stow, IZIKO South African Museum; ...
The Rock Art of Southern Africa
Zambia's Ancient Rock Art: The Paintings of Kasama
Collected articles of the world's preeminent rock art researchers and cognitive archaeologists.
The cornerstone of current understanding of rock art of the San of Drakensberg First published in 1976, People of the Eland was the first major step away from the outsider's...
This rich collection of essays is beautifully illustrated with the author’s photographs of rock art from across southern Africa.
Images of Power: Understanding Bushman Rock Art
Too many shamans: ethics and the politics of rock art interpretation. In S. M. Freers (Ed.), American Indian rock art 25: 149¥54. Deer Valley, AZ: American Rock Art Research Association. Campbell, A., J. Denbow, & E. Wilmsen. 1994.