During the latter half of the 1980s and throughout the 1990s, television talk shows, infotainment news, and screaming supermarket headlines became ubiquitous in America as the "tabloidization" of the nation's media took hold. In Tabloid Culture Kevin Glynn draws on diverse theoretical sources and an unprecedented range of electronic and print media in order to analyze important aspects and key debates that have emerged around this phenomenon.
Glynn begins by situating these media shifts within the context of Reaganism, which gave rise to distinctive ideological currents in society and led the socially and economically disenfranchised to access new forms of information via the exploding television industry. He then tackles specific daytime talk shows and tabloid newscasts such as Jerry Springer and A Current Affair, reality-TV programs such as Cops and America's Most Wanted, and two different supermarket tabloids' coverage of the O.J. Simpson case. Tabloid Culture is the first book to treat these diverse yet related media forms and events in tandem. Rejecting the elitist dismissal of sensationalist media, Glynn instead traces the cultural currents and countercurrents running through their forms and products. Locating both reactionary and oppositional meanings in these texts, he demonstrates how these particular media genres draw on and contribute to important cultural struggles over the meanings of race, sexuality, gender, class, "normality," "truth," and "reality." The study ends by discussing how the growing use of the Internet provides an entirely new realm in which such material can circulate, distort, inform, and flourish.
This innovative and provocative study of contemporary mainstream media culture in the United States will be valuable to those interested in both print and television media, the cultural-political influence of the Reagan era, and American culture in general.
This leads us to consider another popular television format , the talk show , which over the past twenty - five years has gone from " talking heads " to an audience - participation mode established by Phil Donahue and then developed in ...
切爾藍( )、周馬修( )、尼克.迪瓦德( )、萊恩.迪克( )、艾莉謝謝所有讓這本書成真的人。有些人讀了草稿,有些人分享工作中的高低起伏,也有些人在我陷入瓶頸的時候給了我一個微笑。謝謝瑪莉娜.阿嘉帕奇斯( )、卡曼.艾肯( )、維凡克.艾許克( )、麥特.
美国总统特朗普是个大势利眼,喜欢夸耀自己钱多和娶俗气的女人。 弗吉尼亚·伍尔夫在《我是势利眼吗》一文中承认了自己的势利倾向,她与牛津大学政治哲学家以赛亚·伯林晤面 ...
With Ginger Rogers , Adolphe Menjou , George Montgomery , Lynne Overman , Nigel Bruce , Phil Silvers , Sara Allgood , William Frawley , Spring Byington , Helene Reynolds , George Chandler , George Lessey , Iris Adrian , and Milton ...
The great breakthrough was the signing of Red Grange , the greatest halfback of the era , to a contract with the Chicago Bears . Grange quit the University of Illinois after their season ended and immediately played for the Bears in ...
Criticizes Pat Buchanan, Pat Robertson, Jessie Helms, and Ronald Reagan, political correctness, academic obsessions with theory, the art world, American infrastructure, and other targets
for Palmer , she learns from his sadistic " lessons in manliness " ( II , 143 ) to harden her will and suppress the feminine longing for protection . The narrative moves quickly to Susan's success in overcoming her exploiter .
Edward Hudlin maintains that the book follows very closely the structure of the heroic myth as outlined by Joseph Campbell ... Carol Pearson and Katherine Pope look at Dorothy's adventures from a mythological and feminist perspective.19 ...
Nevertheless , a handful of women did attain unusual heights , including Helen Woodward , a copywriter and executive who admitted , in 1926 , that " to be a really good copywriter requires a passion for converting the other fellow ...
Richard Vinen pursues the story into the 1970s to show both the ever more violent forms of radicalization that arose from 1968 and the brutal reactions from those in power that brought the era to an end.