Examines the repeated association of new electronic media with spiritual phenomena from the telegraph in the late 19th century to television.
In a very real sense the audience is the show. This book is the story of audiences and their participation in a show about matters of life and death.
On each day leading up to All Hallows’ Eve, you’ll be introduced to a frightening poltergeist. A Haunted October provides a month’s worth of terrifying tales that’ll haunt you for years to come.
The book is aimed at those interested in global capitalism's effect on art, musical raids on mainstream "indie" and popular music, and anyone intrigued by the changing relationship between art and commerce.
From a red-headed hitchhiker haunting route 44 in Massachusetts to the Oregon woods where ghostly children are known to play, the stories collected inside are certain to make you question every bump in the night.
They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts.
In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South.
Dale Bailey traces the haunted house tale from its origins in English gothic fiction to the paperback potboilers of the present, highlighting the unique significance of the house in the domestic, economic, and social ideologies of our ...
Through close analysis of prose, drama, television, and film, this book maps how the adolescent hero has become a locus for multiple anxieties throughout the tumultuous years since the end of the Soviet experiment.
Haunting Hands looks closely at the consequences of digital media's ubiquitous presence in our lives, in particular the representing, sharing, and remembering of loss.
The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality.