In Transatlantic Fascism, Federico Finchelstein traces the intellectual and cultural connections between Argentine and Italian fascisms, showing how fascism circulates transnationally. From the early 1920s well into the Second World War, Mussolini tried to export Italian fascism to Argentina, the “most Italian” country outside of Italy. (Nearly half the country’s population was of Italian descent.) Drawing on extensive archival research on both sides of the Atlantic, Finchelstein examines Italy’s efforts to promote fascism in Argentina by distributing bribes, sending emissaries, and disseminating propaganda through film, radio, and print. He investigates how Argentina’s political culture was in turn transformed as Italian fascism was appropriated, reinterpreted, and resisted by the state and the mainstream press, as well as by the Left, the Right, and the radical Right.
As Finchelstein explains, nacionalismo, the right-wing ideology that developed in Argentina, was not the wholesale imitation of Italian fascism that Mussolini wished it to be. Argentine nacionalistas conflated Catholicism and fascism, making the bold claim that their movement had a central place in God’s designs for their country. Finchelstein explores the fraught efforts of nationalistas to develop a “sacred” ideological doctrine and political program, and he scrutinizes their debates about Nazism, the Spanish Civil War, imperialism, anti-Semitism, and anticommunism. Transatlantic Fascism shows how right-wing groups constructed a distinctive Argentine fascism by appropriating some elements of the Italian model and rejecting others. It reveals the specifically local ways that a global ideology such as fascism crossed national borders.
Jh.s haben sich gewisse Aufgabenzuweisungen durchgesetzt , andere Bereiche der Politik – z.B. Kirchen- oder Außenpolitik – sind nie auf Dauer delegiert , sondern vom Kaiser über besondere Beauftragte ( die auch Beamte sein konnten ) ...
New York : M . Evans , 1967 . Hartt , Frederick . Giulio Romano . 2 vols . New Haven : Yale University Press , 1958 . Hauser , Arnold . Mannerism . The Crisis of the Renaissance and the Origin of Modern Art . London : Routledge & Paul ...
在基督之后的第八世纪,保罗·迪肯用拉丁文写成的一本历史著作,记叙了离开斯堪的那维亚来到意大利并统治了两个世纪的伦巴德人的故事。 ...
「對權力的熱愛最為強烈又不容共享,舉世尊榮的極致來自天下萬眾的臣服。」 雄霸一方的光輝國度,偉大不滅的盛世羅馬 ...
... is the naphtha flame thrower (fang meng huo yu). The tank is made of brass and supported on four legs. From its upper surface arise four vertical tubes attached to a horizontal cylinder above. They are all connected with the tank.
Italy in the Giolittian era
lic Church, it is routinely claimed that Italy failed to become a modern nation because of the presence of the Vatican and the deep-rooted Catholicism in the Italian nation. The Vatican refusal to recognize the new state, Pius IX's Non ...
By 1450, all of Europe and the Mediterranean were influenced by the teachings, the economies and the intellect of Italy. Its predominance had been achieved through a long history of...
Institutionalized as a fascist game in Mussolinis Italy, football was exploited domestically in an attempt to develop a sense of Italian identity and internationally as a diplomatic tool to improve...
A Concise Encyclopaedia of the Italian Renaissance