In Shapeshifters Aimee Meredith Cox explores how young Black women in a Detroit homeless shelter contest stereotypes, critique their status as partial citizens, and negotiate poverty, racism, and gender violence to create and imagine lives for themselves. Based on eight years of fieldwork at the Fresh Start shelter, Cox shows how the shelter's residents—who range in age from fifteen to twenty-two—employ strategic methods she characterizes as choreography to disrupt the social hierarchies and prescriptive narratives that work to marginalize them. Among these are dance and poetry, which residents learn in shelter workshops. These outlets for performance and self-expression, Cox shows, are key to the residents exercising their agency, while their creation of alternative family structures demands a rethinking of notions of care, protection, and love. Cox also uses these young women's experiences to tell larger stories: of Detroit's history, the Great Migration, deindustrialization, the politics of respectability, and the construction of Black girls and women as social problems. With Shapeshifters Cox gives a voice to young Black women who find creative and non-normative solutions to the problems that come with being young, Black, and female in America.
And dangerous. Shapeshifters are real, they come in all kinds and sizes, and they have existed for countless millennia. This thrilling guide invites you to meet each of them...if you dare.
Follows the lives of five teenagers who live in a land that has long seen war between the avian and serpiente shapeshifters, as a fragile peace is established but faces many threats in the following years.
Far off the grid in northern Sweden, a small network of people have been tasked with hiding the last remaining trolls from the public eye, and one young woman will do whatever it takes to bring the truth to light, in this literary thriller ...
Morphing creatures fill this collection of sci-fi shapeshifter tales by Jack Dann, Jessica A. Salmonson, Jane Yolen, and other notable authors.
Shapeshifters. Know. No. Bounds. Gerry. Turcotte. “I thought I would assume a pleasing shape” —Martia, a shapeshifter, quoting from Hamlet (II.ii.612) in Star Trek VI: The Undiscovered Country The story of the twenty-first century is ...
Dain, a nefarious, power-hungry magic user and Lir’s brother-in-law, plots to steal the throne from Lir and his family by turning Lir’s children into swans and ascending the throne himself.
Freelance writer Brody Westerbrook knows about the existence of shape-shifters and intends to include Ann in the book he’s writing.
The Shapeshifters
When she arrives for a brief stay, twelve-year-old Theo has no idea how tied she is to Nantucket's past and how instrumental she will soon be in shaping the island's future.
When the mother of a young girl named Ruth falls prey to this skin-shedding soucouyant, Ruth is desperate for a way to save her . Can Ruth defeat the Ole Heg, and live to tell the tale as a warning for generations to come?