Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording

Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording
ISBN-10
0822377101
ISBN-13
9780822377108
Category
Music
Pages
248
Language
English
Published
2014-03-03
Publisher
Duke University Press
Author
David Grubbs

Description

John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP? In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.

Other editions

Similar books

  • Now that the audience is assembled
    By David Grubbs

    Now that the audience is assembled is a book-length prose poem that describes a fictional musical performance during which an unnamed musician improvises the construction of a series of invented instruments before an audience that is ...

  • The Voice in the Headphones
    By David Grubbs

    The book extends the form of Grubbs's previous volume Now that the audience is assembled, sharing its goal of musicalizing the language of writing about music.

  • Extended Play: Sounding Off from John Cage to Dr. Funkenstein
    By John Corbett

    In the late sixties , a music engineer named Manfred Eicher left Deutsche Grammophone and in 1969 he formed ECM Records . Its motto was : " The next best sound to silence . " Over the subsequent decade , the label acquired notoriety for ...

  • A Listener's Guide to Free Improvisation
    By John Corbett

    In the first book of its kind, John Corbett's A Listener's Guide to Free Improvisation provides a how-to manual for the most extreme example of spontaneous improvising: music with no pre-planned material at all.

  • Good night the pleasure was ours
    By David Grubbs

    With Good night the pleasure was ours, David Grubbs melts down and recasts three decades of playing music on tour into a book-length poem, bringing to a close the trilogy that includes Now that the audience is assembled and The Voice in the ...

  • Simultaneous Soloists
    By David Grubbs, Anthony McCall

    Simultaneous Soloists' is a compilation emerging from British installation artist Anthony McCall's (born 1946) 'Solid Light Works' exhibition at Pioneer Works (2018), based on the accompanying performance series 'Four Simultaneous Soloists' ...

  • Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992
    By Tim Lawrence

    As Carlo McCormick writes, the "dichotomy between external disillusion and insider membership is a relationship Downtown struck not only against the mainstream but also consistently upon itself," and the critic adds that almost every ...

  • Detroit Disassembled
    By Philip Levine

    A visual tribute to the degradation of Detroit in the wake of the American auto industry's decline reveals regional dignity and tragedy as reflected in scenes ranging from windowless grand hotels and barren factory floors to collapsing ...

  • Mediterranean Winter
    By Robert D. Kaplan

    Mago, a Carthaginian agriculturalist oftenquoted by the Romans,directed thatolive trees shouldbe planted seventy-five feetapart,a testament tothe fertilityofthe soil, given that most ancient olive trees were spaced only twenty.

  • An Inventory of Losses
    By Judith Schalansky

    Recalling the works of W. G. Sebald, Bruce Chatwin, or Rebecca Solnit, An Inventory of Losses is a beautiful evocation of twelve specific treasures that have been lost to the world forever, and, taken as a whole, opens mesmerizing new ...