John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP? In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.
Now that the audience is assembled is a book-length prose poem that describes a fictional musical performance during which an unnamed musician improvises the construction of a series of invented instruments before an audience that is ...
The book extends the form of Grubbs's previous volume Now that the audience is assembled, sharing its goal of musicalizing the language of writing about music.
In the late sixties , a music engineer named Manfred Eicher left Deutsche Grammophone and in 1969 he formed ECM Records . Its motto was : " The next best sound to silence . " Over the subsequent decade , the label acquired notoriety for ...
In the first book of its kind, John Corbett's A Listener's Guide to Free Improvisation provides a how-to manual for the most extreme example of spontaneous improvising: music with no pre-planned material at all.
With Good night the pleasure was ours, David Grubbs melts down and recasts three decades of playing music on tour into a book-length poem, bringing to a close the trilogy that includes Now that the audience is assembled and The Voice in the ...
Simultaneous Soloists' is a compilation emerging from British installation artist Anthony McCall's (born 1946) 'Solid Light Works' exhibition at Pioneer Works (2018), based on the accompanying performance series 'Four Simultaneous Soloists' ...
As Carlo McCormick writes, the "dichotomy between external disillusion and insider membership is a relationship Downtown struck not only against the mainstream but also consistently upon itself," and the critic adds that almost every ...
A visual tribute to the degradation of Detroit in the wake of the American auto industry's decline reveals regional dignity and tragedy as reflected in scenes ranging from windowless grand hotels and barren factory floors to collapsing ...
Mago, a Carthaginian agriculturalist oftenquoted by the Romans,directed thatolive trees shouldbe planted seventy-five feetapart,a testament tothe fertilityofthe soil, given that most ancient olive trees were spaced only twenty.
Recalling the works of W. G. Sebald, Bruce Chatwin, or Rebecca Solnit, An Inventory of Losses is a beautiful evocation of twelve specific treasures that have been lost to the world forever, and, taken as a whole, opens mesmerizing new ...