The pianist, composer, and bandleader Randy Weston is one of the world’s most influential jazz musicians and a remarkable storyteller whose career has spanned five continents and more than six decades. Packed with fascinating anecdotes, African Rhythms is Weston’s life story, as told by him to the music journalist Willard Jenkins. It encompasses Weston’s childhood in Brooklyn’s Bedford-Stuyvesant neighborhood—where his parents and other members of their generation imbued him with pride in his African heritage—and his introduction to jazz and early years as a musician in the artistic ferment of mid-twentieth-century New York. His music has taken him around the world: he has performed in eighteen African countries, in Buddhist temples and Shinto shrines, in the Canterbury Cathedral, and at the grand opening of the Bibliotheca Alexandrina: The New Library of Alexandria. Africa is at the core of Weston’s music and spirituality. He has traversed the continent on a continuous quest to learn about its musical traditions, produced its first major jazz festival, and lived for years in Morocco, where he opened a popular jazz club, the African Rhythms Club, in Tangier. Weston’s narrative is replete with tales of the people he has met and befriended, and with whom he has worked. He describes his unique partnerships with Langston Hughes, the musician and arranger Melba Liston, and the jazz scholar Marshall Stearns, as well as his friendships and collaborations with Duke Ellington, Dizzy Gillespie, Coleman Hawkins, Thelonious Monk, Billy Strayhorn, Max Roach, Charlie Parker, Miles Davis, the novelist Paul Bowles, the Cuban percussionist Candido Camero, the Ghanaian jazz artist Kofi Ghanaba, the Gnawa musicians of Morocco, and many others. With African Rhythms, an international jazz virtuoso continues to create cultural history.
Based on four Ghanaian rhythmic groups (Sikyi, Adowa, Gahu and Akom), this book and CD will provide drumset players with a "new" vocabulary based on some of the oldest and most influential rhythms in the world.
The Rhythm in African Music is a compendium like no other to the rhythmic diversity of African music. The book contains 495 pages and 360 audio tracks (fetched from an outside server).
This book is a complete, step-by-step course for beginners on how to play djembe.
For the African - American tradition of “ playing the dozens ' , see Abrahams , " Joking ' , p . 217 , and Roger Abrahams , ' Playing the Dozens ' , Journal of American Folklore , LXXV ( 1962 ) , pp . 209-20 , reprinted in Mother wit ...
All 12 Studies in the first volume could be performed together as an item in a concert (about 25 minutes, total).
Skole for vestafrikansk slagtøj. Gengivet i standard-notation. Med kulturhistorisk indføring.
The Beat of the Drum: African Rhythms
. An accompanying compact disk enables the reader to work closely with the sound of African speech and song discussed in the book.
The first three volumes of Roots Jam West African and Afro-Latin drumming lessons and notation in one book.
In this new history of music in Zimbabwe, Mhoze Chikowero deftly uses African sources to interrogate the copious colonial archive, reading it as a confessional voice along and against the grain to write a complex history of music, ...