In the first biography in English of the great Argentinian tango singer Carlos Gardel (1890-1935), Collier traces his rise from very modest beginnings to become the first genuine “superstar” of twentieth-century Latin America. In his late teens, Gardel won local fame in the barrios of Buenos Aires singing in cafes and political clubs. By the 1920s, after he switched to tango singing, the songs he wrote and sang enjoyed instant popularity and have become classics of the genre. He began making movies in the 1930s, quickly establishing himself as the most popular star of the Spanish-language cinema, and at the time of his death Paramount was planning to launch his Hollywood career. Collier's biography focuses on Gardel's artistic career and achievements but also sets his life story within the context of the tango tradition, of early twentieth-century Argentina, and of the history of popular entertainment.
The Life, Music and Times of Carlos Gardel
He is the greatest leading star who projected his music and lyrics in early cinema, was actor, dancer and singer.The story takes place in a golden era in history, the roaring 20's and it travels from Argentina to Paris, from New York to ...
... tango . 10. Ibid . , 198 , 201 . 11. For a glimpse into the life and work of one such lyricist , see Puccia , Buenos Aires de Angel G. Villoldo . 12. Simon Collier , The Life , Times , and Music of Carlos Gardel ( Pittsburgh ...
Native Brazilian Music, Columbia C 83-C 84/36503-36510, 1942; Bryan McCann, Hello, Hello Brazil: Popular Music in the Making of Modern Brazil, Duke University Press, 2004, p. 152; Daniella Thompson, “Stalking Stokowski,” Brazzil ...
... Thought Danced,” the authors have yet to find the actual original source. 30. Simon Collier, The Life, Music, and Times of Carlos Gardel, 58. Two of the most important figures associated with the establishment Argentine tAngo [11]
This work chronicles the history of the tango in the United States, from its antecedents in Argentina, Paris and London to the present day. It covers the dancers, musicians, and composers, and the tango's influence on American music.
"This book reconstructs the transnational history of the category "Latin American music" during the first half of the 20th century, from a longer perspective that begins in the 19th century and extends the narrative until the present.
The book also contains more than 30 translations of the most important tango-canciones, from lunfardo (slang of Buenos Aires), which are key to understanding the times and the milieu that created Tango Argentina and the tango-cancion.
This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s.
Merengue Known as the national music of the Dominican Republic, merengue is a musi- cal genre that took Latin America by storm in the 1980s, replacing salsa as the predominant Latin music in radio stations and nightly venues.