In Sounding Composition Steph Ceraso reimagines listening education to account for twenty-first-century sonic practices and experiences. Sonic technologies such as audio editing platforms and music software allow students to control sound in ways that were not always possible for the average listener. While digital technologies have presented new opportunities for teaching listening in relation to composing, they also have resulted in a limited understanding of how sound works in the world at large. Ceraso offers an expansive approach to sonic pedagogy through the concept of multimodal listening—a practice that involves developing an awareness of how sound shapes and is shaped by different contexts, material objects, and bodily, multisensory experiences. Through a mix of case studies and pedagogical materials, she demonstrates how multimodal listening enables students to become more savvy consumers and producers of sound in relation to composing digital media, and in their everyday lives.
Further, both melodies highlight penta- tonicism and use the same folkish-sounding pentaton (i.e., ... All these features are shared between Thomson's and Copland's compositions, and moreover, all constitute key elements of the ...
Sounding Composition: Multimodal Pedagogies for Embodied Listening. Pittsburgh, PA: University of Pittsburgh ... “Sound Matters: Notes toward the Analysis and Design of Sound in Multimodal Webtexts.” Computers and Composition, vol.
It is fun today to read old soundings , especially those few bold predictions for the English classroom of the future . ... In fact , it will be interesting ( if not fun or too embarrassing ) to read this “ sounding ” essay in ten years ...
Until now the word has been used in a limited sense of “sounding very much alike at any given moment”. In many of Bernard Parmegiani's compositions - as well as Christian Zanési's-movements may be highly dissimilar, but the movements ...
The book is based on various illustrative lectures originally presented by the author on the completion of particular compositional projects. Its focus is on the musical structuring of the works."--Back cover.
Alexander Pope, in this verse from “An Essay on Criticism,” encapsulates the use of onomatopoeia and other sounds in poetry: 'Tis not enough no harshness gives offense, The sound must seem an echo to the sense: Soft is the strain when ...
Using onomatopoeia, words that virtually replicate sound, poets often create vivid effects. ... Alexander Pope, in this verse from “An Essay on Criticism,” encapsulates the use of onomatopoeia and other sounds in poetry: 'Tis not enough ...
Creating essay prompts is one of those nerdy activities that English teachers love to do. ... In a well-organized essay, apply “important philosophical-sounding statement” to [a specified aspect of the literary work].
Got a song in your head? Learn how to share it! For many of us, music is as essential as breathing. But if you need some help getting those melodies out of your head and available for others to hear and enjoy, this book is the answer.
Ceraso, S. (2018), Sounding Composition: Multimodal Pedagogies for Everyday Listening. Pittsburgh, PA: University of Pittsburgh Press. Chattopadhyay, B. (2017), 'BeyondMatter: Object- disorientedSoundArt,' Seismograf, 15 November, ...