Of songs artists write for themselves and those that are typically recorded by artists who do not write their own material.
... 162–163 Mraz, Jason, 115, 204 Mr Ed, 100 Muench-Diamond, Teti, 185 Muldoon, Clive, 53,272 Murphy Michael Martin, ... 36–37 Porter Cole, 11, 61 Preaching, avoiding of 57 Pre-chorus, 5-6 Preparing See Planning Presentation, pitch, ...
... Jaci Velasquez , Matthew West , Steven Curtis Chapman , Michael W. Smith • Rock : Jars of Clay , Casting Crowns , P.O.D. , Tobymac , Thousand Foot Crutch • Praise and worship : Brooklyn Tabernacle Choir , Matt Redman , Chris Tomlin ...
The Billboard Guide to Writing and Producing Songs that Sell unveils the secrets to climbing the charts and reaching success in today’s ultracompetitive music industry.
Far from being a traditional “how-to,” each of the 60 short chapters in this book uses attention-grabbing anecdotes to relay valuable insights and important lessons.
Because of those wonderful stand-alone writers who were willing to work with me in those areas, I had my first hit in 1966, “Call My Name,” by James Royal. other cuts followed by Billy Fury, the Casuals, Vanity Fair, the high windows, ...
This book takes the beginning songwriter from music basics through creating complete songs in rock, country, RandB, and theatrical forms.
This book teaches an innovative method called Immersion Composition that drives musicians to engage their creativity by writing as much music as possible in a set time period.
... “Mrs. Robinson” (written by Paul Simon; performed by Simon and Garfunkel), “Where have you gone Joe DiMaggio, the nation turns it's lonely eyes to you.” Nations don't really have eyes except in wonderfully creative songs like these.
Making Music With Samples is packed with creative, hands-on tips - aimed at getting the reader actively enjoying the art of sampling as quickly and easily as possible - interspersed with snippets of essential theoretical stuff: whether it's ...
I will, however, describe the most basic differences between them: BMI is a not-for-profit corporation, owned by broadcasters; ASCAP is a society of songwriters and publishers, owned by its membership; SESAC is a privately owned, ...