This book presents the life stories of twelve extraordinary women who lived passionately and recorded in poetry their happiness and heartbreaks. Our English translations of their poetry are intended to make their poems seem to speak their thoughts, and we have included a CD with sixty-eight of their poems recorded in Italian literature, so that we do in fact hear their thoughts. In addition, several chapters take up some controversial art-historical problems centered on one or another of the women, suggesting possible solutions. This copiously illustrated, interdisciplinary book of 239 poems-poetry-in-context--- is not an anthology; together with the CD of readings, and the challenging art-historical discussions of several paintings, it is unique. There is no other similar book.
CD contains: Readings of selected poems from text.
from a method called infraterna, in which all brothers shared equally in the father's patrimony, to one based on ... Law, Family, and Women: Toward a Legal Anthropology of Renaissance Italy (Chicago: University of Chicago Press, ...
Le dialogue à la Renaissance (Paris: Presses Universitaires de France, 2001). Gray, Floyd. Montaigne bilingue: le latin des “Essays” (Paris: Champion, 1991). Grendler, Paul. Critics of the Italian World (1530–1560).
... Shining Eyes, Cruel Fortune: The Lives and Loves of Italian Renaissance Women Poets. New York: Fordham University Press, 2002. – “Veronica Franca (1546–1591): The Unhappy Courtesan.” In Shining Eyes, Cruel Fortune: The Lives and Loves ...
The complex relationship between myths and music is here investigated.
The late Renaissance sculptor Leone Leoni (1509-1590) came from modest beginnings, but died as a nobleman and knight.
These pieces, akin to medieval debates where allegorical figures contest various problems, are very much in the tradition ... In Dialogue between the Hand, the Foot, and the Mouth, the stay-at-home feminine Hand argues with the restless ...
... Shining Eyes Cruel Fortune, pp. 50-52. 55. Other examples are discussed in Ferino-Pagden, Vittoria Colonna, pp. 422-5. 56. Carteggio, vol. 4, no. CMLXVIII. 57. B 16:13; The Illustrated Bartsch, vol. 32, p. 169. The printmaker reverses ...
At once interdisciplinary, empirical, and theoretical, the book is the first to ask how arts have figured in the survival or demise of courtesan cultures by juxtaposing research from different fields.
This volume aims to meet the varied needs of instructors, whether they teach Petrarch in Italian or in translation, in surveys or in specialized courses, by providing a wealth of pedagogical approaches to Petrarch and his legacy.