When does racial description become racism? Critical race studies has not come up with good answers to this question because it has overemphasized the visuality of race. According to dominant theories of racial formation, we see race on bodies and persons and then link those perceptions to unjust practices of racial inequality. Racial Worldmaking argues that we do not just see race. We are taught when, where, and how to notice race by a set of narrative and interpretive strategies. These strategies are named “racial worldmaking” because they get us to notice race not just at the level of the biological representation of bodies or the social categorization of persons. Rather, they get us to embed race into our expectations for how the world operates. As Mark C. Jerng shows us, these strategies find their most powerful expression in popular genre fiction: science fiction, romance, and fantasy. Taking up the work of H.G. Wells, Margaret Mitchell, Samuel Delany, Philip K. Dick and others, Racial Worldmaking rethinks racial formation in relation to both African American and Asian American studies, as well as how scholars have addressed the relationships between literary representation and racial ideology. In doing so, it engages questions central to our current moment: In what ways do we participate in racist worlds, and how can we imagine and build one that is anti-racist?
In this bold, innovative work, Dorinne Kondo theorizes the racialized structures of inequality that pervade theater and the arts.
Adom Getachew shows that African, African American, and Caribbean anticolonial nationalists were not solely or even primarily nation-builders.
Williams, Keith, “Alien Gaze: Postcolonial Vision in The War of the Worlds” in McLean, H. G. Wells, 49–75. Williams, Paul, Race, Ethnicity, and Nuclear War: Representations of Nuclear Weapons and PostApocalyptic Worlds (Liverpool: ...
This approach, called “bargaining for the common good,” is “a conscious effort to tie union– community ... and issued a report with local progressive organizations like Minnesota Youth Climate Strike and the Minnesota Black, Indigenous, ...
The volume provides new and detailed snapshots of the diverse and complicated ways that race, racism, racial identity, and racial justice are represented, experienced, and addressed in America, offering new ways of understanding the complex ...
She edited Mediating Indianness (2015), and her coedited books include Migration, Diaspora, Exile: Narratives of Affiliation and Escape (2020), Ethnic Resonances in Performance, Literature, and Identity (2019), Transculturality and ...
... cultural outlook ' ( 55–7 ) or even an ' art project ' ( 71–2 ) . 8 See also C. Jerng Mark , Racial Worldmaking : The Power of Popular Fiction ( New York : Fordham University Press , 2017 ) , 14-21 . 9 See for instance Arturo Escobar ...
... new phase in China's engagement with the Global South, which may in turn mark the emergence of a new global ... seek wealth and power, these economic and political desires are intricately intertwined with imaginative visions ...
His work has appeared in the Southern Literary Journal, Mississippi Quarterly, Southern Studies, and collections such as Agee at 100 and Southerners on Film. He is the author of Understanding Sam Shepard (2012) and the editor of a ...
... racial worldmaking that exposes the " stereotypes and conventional racism of the plantation romance genre . . . by making clear the economic , social , and political infrastructure that they support and facilitate ” ( Racial Worldmaking ...