This study records an epistemic shift away from logocentric and totalizing approaches to reality by analyzing the links between the novelistic strategies used by Spanish writers from 1975 to 1989 and recent international events and theoretical trends in science, mathematics, communication studies, and art.
Of course , the danger of the perversa devoradora de hombres is that , by violating the gender construction of the passive woman , she implicitly threatens every category of identity that is based on binary opposition , whether it be ...
(397) Robert C. Spires (1996), in his study of “post-totalitarian” Spanish fiction, integrates these national and international contexts, arguing that the years between 1975 (the death of Franco) and 1989 (the fall of the Berlin Wall) ...
Jessica Folkart offers a timely and much needed study of how Christina Fernández Cubas explores issues of identity in democratic Spain.
Metafiction also shapes the representation of history in one of the most widely read novels of the post-war period, Carmen Martín Gaite's *El cuarto de atrás (1978). The narrator of the novel, a fictional Carmen, has vowed to write two ...
"Spanish literature includes some of the world's greatest works and authors. It is also one of the most widely studied. This reference looks at the literature of Spain from the...
attitude , and ' the source of carnivalization was carnival itself ( italics in original ) , this changes , and ... from the second half of the 17th century carnival almost completely ceases to be a direct source of carnivalization ...
The new millennium offers no happy future for the world: El siglo xxi nacía con una gran incapacidad para los mitos, ni siquiera prometían nuevos héroes del rock, todos ellos eran ya sesentones o pronto lo serían, como chamanes que ...
Rewriting Spain's Memory El testigo pretencioso se arroga la misión olímpica de estar contando la Historia, ... Carmen Martín Gaite Agua pasada Spanish Society after Franco: Balancing Revisionist History and Collective Memory After ...
21. 3 Quoted by E. Bronfen, The Knotted Subject: Hysteria and its Discontents (Princeton, NJ: Princeton University Press, 1998), p. 156. 4 F. J. Mackintosh, Childhood in the Works of Silvina Ocampo and Alejandra Pizarnik (Woodbridge, ...
... no doubt recognize it), but we learn, within the text of the novel, that Lady Macbeth speaks these words in Act II, Scene II of the well-known tragedy Macbeth, shortly after her husband tells her that he has murdered King Duncan.