In Volume 8 of The Collected Works of Langston Hughes, the genial Harlem everyman, Jesse B. Semple returns with his more cosmopolitan bar buddy, Ananias Boyd. Social climber Joyce Lane is now Mrs. Jesse B. Semple, and Simple has minimized his flirtatious contacts with other women. Despite these ongoing characters, the later Simple stories are very different from the earlier Simple tales. The later stories evoke the historical and social context within which they were written, a politically dangerous time for the fictional adventures and fantasies of the main characters.
The Later Simple Stories returns to print Hughes's third and fourth Simple collections, Simple Stakes a Claim and Simple's Uncle Sam, along with some episodes Hughes did not include in any of his books. Simple Stakes a Claim was published in 1957, and it reflects the troubled and troublesome era of the Cold War and McCarthy hearings. Simple's Uncle Sam appeared in 1965, and it captures the turbulent decade when black Americans asserted their rights, including the privilege to call themselves "Black" and wear their hair in natural styles. The nonviolent strategies of civil disobedience and the violent strategies of urban rioting had converged to amplify African American voices as they demanded justice.
The innocent humor of the earlier Simple stories is replaced here by new strengths. Remarkably powerful female characters emerge in this volume. We observe Cousin Minnie's self-preservation skills and her willingness to riot to defend her rights as a citizen. We read about Simple's cousin Lynn Clarisse, who is a social activist educated at Fisk University. And we see Joyce herself emerge from her prim niche to display pride and knowledge about her African heritage.
The Later Simple Stories rounds out Hughes's presentation of Jesse B. Semple and the various people of his world. Simple and his foil still make us chuckle, but more important, they make us think. While these episodes often focus on particularities of the times, they also articulate broader truths that remain valuable.
The Mitchell Case I see by the papers Where Mitchell's won his case . Down South the railroads now Must give us equal space . Even if we're rich enough To want a Pullman car , The Supreme Court says we get itAnd a diner and a bar !
Will V-Day Be Me-Day Too? (A Negro Fighting Man's Letter to America) Over There, World War II. Dear Fellow Americans, I write this letter Hoping times will be better When this war Is through. I'm a Tan-skinned Yank Driving a tank.
The great Negro actor , Nash Walker , of " Bon Bon Buddy , the Chocolate Drop " fame , had lived in Lawrence too . And my Uncle Nat ( before he died ) had taught him music , long before I was born . I saw Nash Walker only once , because ...
Volume 2 includes the books Shakespeare in Harlem (1942), Jim Crow's Last Stand (1943), Fields of Wonder (1947), and One-Way Ticket (1949). Starting around 1940, Hughes turned away from radical...
Volume 3 collects the poems of the last period of Hughes's life. Montage of a Dream Deferred (1951) brilliantly fused the modernist dissonances of bebop jazz with his perception of...
... LANGSTON ) from South Carolina , Thomas E. Miller and George W. Murray ( Enter MILLER and MURRAY ) And from North Carolina , James E. O'Hara , Henry The Ballot and Me 469 Part 5: Radio Plays.
12 In Julian Mayfield's novel The Hit for a large number of Harlemites the Godot of their daily life is a numbers banker named John Lewis of whom one of the characters says , “ John Lewis never really comes .
A collection of short stories by Langston Hughes, carefully crafted in the language he loved, manifest the many themes for which he is best known.
Langston Hughes electrified readers and launched a renaissance in Black writing in America—the poems in this collection were chosen by Hughes himself shortly before his death and represent stunning work from his entire career.
This is from Your boon coon, Kite And the last word were spelled wrong, p-l-e-s-e for please. Nothing there, just ignorance, talking about 'your boon coon.' But I looked so hurted on purpose until Joyce cried out loud.