By examining literary portraits of the woman as artist, Linda M. Lewis traces the matrilineal inheritance of four Victorian novelists and poets: George Eliot, Elizabeth Barrett Browning, Geraldine Jewsbury, and Mrs. Humphry Ward. She argues that while the male Romantic artist saw himself as god and hero, the woman of genius lacked a guiding myth until Germaine de Staël and George Sand created one. The protagonists of Staël's Corinne and Sand's Consuelo combine attributes of the goddess Athena, the Virgin Mary, Virgil's Sibyl, and Dante's Beatrice. Lewis illustrates how the resulting Corinne/Consuelo effect is exhibited in scores of English artist-as-heroine narratives, particularly in the works of these four prominent writers who most consciously and elaborately allude to the French literary matriarchs. In her initial chapter, Lewis explains Corinne's gift as “l'enthousiasme” and Consuelo's as “la flamme sacrée.” Corinne uses her influence as a political Sibyl to enter the debates of the Napoleonic era; Consuelo employs her sacred fire as a divine Sophia to indict injustice throughout Europe. Subsequent chapters examine the public and private voices of the Sibyls and Sophias of Victorian fiction, as well as the degree to which their gift demands service to art, to God, and to humankind. The closing chapter studies the waning influence of Staël and Sand in the fin-de-siècle “New Woman” novel.The core of Lewis's book is its treatment of the Victorian author and her feminine aesthetics. In each chapter Lewis uncovers the references to Corinne and Consuelo—subtle or overt, serious or facetious—and reveals the resulting tension when an artist invokes a foremother but avoids merging with the mother whom she emulates. The methodology of this bookincludes myth criticism, feminist commentary, and psychoanalytic theory, but its strength lies in Lewis's close reading of the intertextuality of ten literary works.Exploring a connection between French and English literature and providing fresh insight, Germaine de Staël, George Sand, and the Victorian Woman Artist makes a major contribution to our understanding of nineteenth-century feminism.
Outlines the plot and characters of this groundbreaking play; explains the production, historical context, and themes; and includes critiques and reactions of scholars.
他们虽然不像其他流派团体一样,拥有严密的组织,但是常常会举办一些文化沙龙,比如说林徽因每逢周六就会在自家的四合院里举办茶会,邀约各类学术精英、社会名流前来品茶聚会、谈古论今。林徽因的女儿梁再冰后来回忆道:“每到周末, ...
约翰?伦纳德是美国文学界的一位泰斗。作为一名博学、热忱、涉猎甚广的书评人,他亲手参与塑造了美国当代文学的风貌。本书系从伦纳德历经50载的阅读生涯中萃取的50篇对多位名 ...
Marshall , James . Goldilocks and the Three Bears . Retold and Illus . by : James Marshall . New York : Dial , 1988 . Mayo , Gretchen Will . Here Comes Tricky Rabbit : Native American Trickster Tales . New York : Walker , 1994 .
Cyrus Hoy, Thomas Dekker Fredson Bowers. but this identification is by no means regarded as certain , ' Hand C is that of a theatrical scribe , Hand D has been attributed to Shakespeare , 3 Hand E has been identified as Dekker's.4 ...
As Thompson has pointed out, we commonly use words, expressions, and constructions in written expositions that would seem artificial in oral speech. Gri- boedov's phrase, "and you speak as you write," refers to the comic transfer of the ...
The Ruined Cottage: The Brothers Michael
This edition represents Shakespeare's text as it appears in the most authoritative of early editions, the Folio, published in 1623, and it supplies students with useful footnotes to the interpretation of the text.
Here are more than 1,800 quotations, organized from A-to-Z, from America's consummate author--Mark Twain.
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