"There have been other exhibitions of his works, but Robert Smithson: Photo Works is the first to examine his use of the camera and to present the way he saw the unique landscapes in which he traveled and located his art. As demonstrated by curator of photography Robert A. Sobieszek, the photographic image was central to Smithson's art, whether in collages, montages, sequences, films, or alone. Smithson's final projects attempted a collaboration art and industry. He believed artists could assist in reclaiming such devastated areas as open-face strip mines. Our expanding presence in and impact upon the land may have become so pervasive that the boundaries between nature and culture have been all but obliterated. Now two decades after his death, Robert Smithson's lessons are all the more vital and significant."-from preface.
Instead they stressed a neoclassical formalism , and T. E. Hulme , who exerted great influence on all three , was drawn to the “ abstract ” philosophy of Wilhelm Worringer . After World War II , when fascistic motives were revealed ...
Publisher Description
Catalogue printed on the occasion of the exhibition 'Robert Smithson in Texas' at the Dallas Museum of Art, November 24, 2013 - April 27, 2014
Hamburger Heaven prepares sport on the jelly - tart , according to blitzed theology . Wailing gives way to numb limbs and roots , before the declining Inquisitor . Flayed icons are painted with tar by the Great Master Painter from the ...
In 1968 Smithson complicated and combined his site/nonsite work and his concern with the abyss in the Cayuga Salt Mine Project that he made for an “Earth Art” exhibition at Cornell University. He chose as the site pole of the work a ...
“The Crystal Land,” Harper's Bazaar, May 1966, pp. 72–73, reprinted in Smithson 1996, pp. 7–9 [Smithson 1966b]. ———, “Entropy and the New Monuments,” Artforum 4, no. 10 (June 1966), pp. 26–31, reprinted in Smithson 1996, pp.
"Serves as a record of Smithson's known three-dimensional works ... strikingly illustrated with color plates and more than 225 black and white illustrations"--Dustjacket.
Offering a critical analysis of Smithson's view of time, it provides comprehensive case studies of three of his most influential projects: "The Monuments of Passaic," a sardonic tour of a decaying New Jersey city conducted in the wake of ...
The Writings of Robert Smithson: Essays with Illustrations
With great sensitivity to the experiences of loss and existential strife that defined his distinct artistic language, this biographical analysis provides an expanded view of Smithson’s iconic art pilgrimage site and the experiences and ...