When John Charles Chasteen learned that Sim?n Bolívar, the Liberator, danced on a banquet table to celebrate Latin American independence in 1824, he tried to visualize the scene. How, he wondered, did the Liberator dance? Did he bounce stiffly in his dress uniform? Or did he move his hips? In other words, how high had African dance influences reached in Latin American societies? A vast social gap separated Bolívar from people of African descent; however, Chasteen's research shows that popular culture could bridge the gap.
Fast-paced and often funny, this book explores the history of Latin American popular dance before the twentieth century. Chasteen first focuses on Havana, Buenos Aires, and Rio de Janeiro, where dances featuring a "transgressive close embrace" (forerunners of today's salsa, tango, and samba) emerged by 1900. Then, digging deeper in time, Chasteen uncovers the historical experiences that molded Latin American popular dance, including carnival celebrations, the social lives of slaves, European fashions, and, oddly enough, religious processions. The relationship between Latin American dance and nationalism, it turns out, is very deep, indeed.
African Rhythms is the autobiography of the important jazz pianist, composer and band leader Randy Weston.
... “Red, Red Rose,” Albert Campbell with Haydn Quartet, 1909, Arthur C. Clough with Haydn Quartet, 1909; “Whoop'er up,” Billy Murray, 1910; “Down de Lovers' Lane,” Peerless Quartet, 1911, Paul Robeson, 1927; “Exhortation,” Reed Miller, ...
Brother Resistance extended this performance by picking up the song where Sheldon Blackman had stopped, continuing the singing-chanting of the verses and chorus for several minutes, then shifting the tone of the performance from ...
The first three volumes of Roots Jam West African and Afro-Latin drumming lessons and notation in one book.
Noted historian John Chasteen traces the global history of marijuana, exploring its rich heritage with captivating insight.
Tells the history of black men and women around he world. Examines the thriving culture with primary sources.
The African Roots of Jazz
The nearest thing we have in the twentieth century to a global folk music.
... National Rhythms, 58. 202. Borucki, “From Colonial Performers,” 19n70. 203. See Geler, Andares, 100; Rodríguez Molas ... roots, or at best concede them in the (African) realm of rhythm, but never in the (European) realm of melody and ...
The African Roots of Jazz