Highway 61 Revisited resonates because of its enduring emotional appeal. Few songwriters before Dylan or since have combined so effectively the intensely personal with the spectacularly universal. In "Like a Rolling Stone," his gleeful excoriation of Miss Lonely (Edie Sedgwick? Joan Baez? a composite "type"?) fuses with the evocation of a hip new zeitgeist to produce a veritable anthem. In "Ballad of a Thin Man," the younger generation's confusion is thrown back in the Establishment's face, even as Dylan vents his disgust with the critics who labored to catalogue him. And in "Desolation Row," he reaches the zenith of his own brand of surrealist paranoia, that here attains the atmospheric intensity of a full-fledged nightmare. Between its many flourishes of gallows humor, this is one of the most immaculately frightful songs ever recorded, with its relentless imagery of communal executions, its parade of fallen giants and triumphant local losers, its epic length and even the mournful sweetness of Bloomfield's flamenco-inspired fills. In this book, Mark Polizzotti examines just what makes the songs on Highway 61 Revisited so affecting, how they work together as a suite, and how lyrics, melody, and arrangements combine to create an unusually potent mix. He blends musical and literary analysis of the songs themselves, biography (where appropriate) and recording information (where helpful). And he focuses on Dylan's mythic presence in the mid-60s, when he emerged from his proletarian incarnation to become the American Rimbaud. The comparison has been made by others, including Dylan, and it illuminates much about his mid-sixties career, for in many respects Highway 61 is rock 'n' roll's answer to A Season in Hell.
Civil. Rights. Movement. Charles. Hughes. On October 16, 1992, three weeks before election day, Stevie Wonder took the stage at the Bob Dylan Thirtieth Anniversary Celebration to revisit the song that in 1966 gave him a number one ...
Dylan's first album to be recorded entirely with a full rock band, the groundbreaking Highway 61 Revisited is also arguable his best and most influential, and one of rock'n'roll's defining...
Highway 61 Revisited: Bob Dylan's Road Album
In Highway 61 Revisited, acclaimed music critic Gene Santoro says the answer is jazz--not just the musical style, but jazz's distinctive ambiance and attitudes.
The Dylan effect has extended far beyond the United States in recent decades, and the essays here analyze his contribution to the people and cultures of the United Kingdom, Italy, and Japan.
Each of the eight states through which 61 passes is represented.About the Author:Tim Steil has worked as a reporter in radio, television, and print for almost 20 years, including stints with the Chicago Tribune, Daily Southtown, and ...
This is his story, told from his own perspective, which includes first-hand accounts of such historical events as the Monterey Pop Festival in 1967, as well as his esteemed career as a sought-after studio musician and staff producer for ...
As they were working up the song to record, he noticed that Jordanaires lead singer Neal Matthews Jr. used a musical shorthand to quickly write out the vocal parts. McCoy immediately realized Matthews's shorthand could be adapted to ...
This book explores the key London places and times that helped to create one of the greatest of all popular musicians, Bob Dylan.
Brings together two works of art--James Ensor's "Christ's Entry into Brussels in 1889" and Bob Dylan's "Desolation Row"