This comprehensive look at Japanese cinema in the 1990s includes nearly four hundred reviews of individual films and a dozen interviews and profiles of leading directors and producers. Interpretive essays provide an overview of some of the key issues and themes of the decade, and provide background and context for the treatment of individual films and artists. In Mark Schilling's view, Japanese film is presently in a period of creative ferment, with a lively independent sector challenging the conventions of the industry mainstream. Younger filmmakers are rejecting the stale formulas that have long characterized major studio releases, reaching out to new influences from other media—television, comics, music videos, and even computer games—and from both the West and other Asian cultures. In the process they are creating fresh and exciting films that range from the meditative to the manic, offering hope that Japanese film will not only survive but thrive as it enters the new millennium.
The work discusses gender, the family, travel, the 'everyday' as horror, and ways in which animated films can offer an ideal space in which an ideal conception of identity may emerge and thrive.
This book studies the key genres in contemporary Japanese cinema through analysis of their key representative films.
With its timely analysis of new modes of production emerging from the struggles of Japanese filmmakers and animators to finance and market their work in a post-studio era, this book holds critical implications for the future of other ...
Thomas, K. (2005) 'Marebito: The Stranger from Afar', Las Angeles Times, 9 December. On-Line. ... Ueno, C. (1994) 'Women and the Family in Transition in Postindustrial Japan', in Gelb, J. and Palley, M. L. (eds.) ...
More recent examples include Shohei Imamura's Eel, which won the Palm d'Or (Best Picture) at Cannes in 1997.From Book to Screen breaks new ground by exploring important connections between Japan's modern literary tradition and its national ...
This study explores the ways in which contemporary Japanese films present and treat the problem of identity.The author analyzes a wide range of films produced in the past twenty years to demonstrate the various waysin which filmmakers have ...
A REPRESENTATIVE SELECTION OF THE FINEST WORK-FICTION, POETRY, DRAMA, EVEN FILM WRITING, DONE IN JAPAN SINCE THE END OF WORLD WAR II.
By combining textual and contextual analysis, this book analyses the narrative and visual style of films of contemporary Japanese cinema in relation to their social and historical context of production and reception.
Nippon Modern renders that image, aspect after fascinating aspect, in sharp detail. Scores of films make up that image, a few resurrected in this volume for intense and delightful analysis.
In What Is Japanese Cinema? Yomota Inuhiko provides a concise and lively history of Japanese film that shows how cinema tells the story of Japan’s modern age.