By the middle of the nineteenth century Lowell Mason (1792-1872) was probably the most famous native-born musician in America. Concentrating almost exclusively on vocal music, he built a spectacular reputation as a choir director and teacher. He published many collections of sacred music that sold in unprecedented numbers and made him a household name. In 1837 he traveled to Europe on a little-publicized trip. This was a bold move decades before such trips by American musicians became commonplace, and his diaries from this time are a primary source of information on early nineteenth-century European music. This edition of Mason's 1837 journal has been carefully edited: throughout, Broyles has attempted to reproduce the original manuscript faithfully, making adjustments only where necessary for intelligibility. Appendices include a list names with brief biographies, an itinerary of the tour, and those letters received during the trip that still survive. An introduction completes this unique and highly readable volume. Michael Broyles is Distinguished Professor of Music and Professor of American History Emeritus at Penn State University and Visiting Professor at Florida State University.
This landmark collection explores the origins and foundations of music education in Europe, The Americas, Africa and Asia-Pacific, and the Middle East, and considers the inclusion of music as part of the compulsory school curriculum in the ...
approximately two years of life left by the time Purcell arrived. One year after Valton's death, Yarnold returned from England and resumed his old position at St. Michael's. But his tenure too was brief; he died in June 1787.78 Neither ...
Similarly focusing on a personal collection, Lohman highlights newspapers as valuable sources for musical research. ... Blasdale Clarke elaborates how Keller established a new prototype for historical dance research that expanded to ...
Meanwhile, school music instruction became all the more wedded to one version or another of sim- plified singing ... sang treble the men base [sic] and all very loud” (A Yankee Musician in Europe: the 1837 Journals of Lowell Mason, ed.
New York : Villard , 1987. — III , 820 . Deboer , Kee . ... Hot discographie encyclopedique / Charles Delaunay and Kurt Mohr . ... Charles Edward Ives , 1874-1954 : a bibliography of his music / Dominique - Rene DeLerma .
The guide expertly sifts through the extensive literature to cite the most notable sources for study and provides individual chapters on the leading nineteenth-century composers who were instrumental in the development of choral music.
Tarr, Edward. The Trumpet. Translated by S. E. Plank and Edward Tarr. London: Batsford, 1988. Taylor, Arthur R. Brass Bands. London: Granada, 1979. ... Turner, Gordon, and Alwyn W. Turner. The Trumpets Will Sound: The Story of the Royal ...
... the Cooper/ Mace research guide and Mercer-Taylor's short biography; for Mozart, Rosselli; for Puccini, Budden's musical-biographical study; for Schumann, Daverio's work; for Sibelius, the biography by Barnett; for Richard Strauss, ...
The Autumn of Italian Opera from Verismo to Modernism, 1890–1915. Boston: Northeastern University Press. Mauclair, Camille. 1904. “La Fin du wagnérisme. ” La Revue (February 15). Meyer, Stephen C. 2003. Carl Maria von Weber and the ...
The volume focuses on music during the process of European integration since the Second World War. Often music in Europe is defined by its relation to the concept of Occidentalism (Musik im Abendland; western music).