Marking 25 years as a film critic, Roger Ebert--the only film critic to win a Pulitzer Prize--devotes the introduction of his annual Movie Home Companion to observations on the art of moviegoing. Then come some 1,100 full-length reviews of the most interesting films on home video, all fully indexed by title, director, and stars. Includes 150 new reviews.
Roger Ebert's Home Movie Companion
This compilation of over 1300 film reviews includes recent releases, such as Independence Day, Leaving Las Vegas and I Shot Andy Warhol.
One of the first was the fell over , you held it up with your hand and critic Rex Reed . said , ' They're not making these things the way “ Sam ! ” said Reed . “ What a surprise ! Right in they used to ?
Figure 28 Claire (Annette Bening), a clairvoyant who illustrates children's books, enters her own silky nightmare in Neil Jordan's In Dreams, a film that Again, there is middle ground. Murphy assiduously captures the movie's opulent ...
Perhaps only a thirteen - year - old caring , and a world outside that bedroom winlike Nikki Reed could have found the exact note dow that has big bad wolves ...
As Ebert noted in the introduction to the first collection of those pieces, “They are not the greatest films of all time, because all lists of great movies are a foolish attempt to codify works which must stand alone.
He shares his insights into movie stars and directors like John Wayne and Martin Scorsese. This is a story that only Roger Ebert could tell.
El Camino NO MPAA RATING, 87 m., 2009 Leo Fitzpatrick (Elliot), Christopher Denham (Gray), Elisabeth Moss (Lily), Wes Studi (Dave), Richard Gallagher (Matthew), Amy Hargreaves (Sissy). Directed by Erik S. Weigel and produced by ...
Robert Bresson, the director of such cinematic master-pieces as Pickpocket, A Man Escaped Mouchette, and L’Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: ...
He finally took one of them—a Roger Corman exploitation picture called Boxcar Bertha —because he needed to direct again. “Corman thinks it's an exploitation picture,” Scorsese told me, “but I think it'll be something else.