Hungarian cinema began in cafes, and short films were projected at the Velence coffee-house in Budapest in the late 1890s. By 1912, a distinct film culture had formed in Hungary, which - unlike the imported American popular entertainment cinema - throughout its history has shown a commitment to the idea of film as art. This new book is a detailed historical, critical and appreciative account of the Hungarian cinema from its early days to the transforming 1990s, and provides an extended analysis of some 50 directors and their key films. It describes the ways in which the industry has developed, largely with the assistance of the state, especially since the Second World War, and shows how the Hungarian cinema has achieved an international success out of all proportion to its size, and despite the potential obstructions of language and culture. The author concludes with a survey of recent filmmaking activities, and a look towards the future in rapidly changing Eastern Europe. This book will appeal to all those interested in Hungarian and Eastern European film and history.
The essays in this volume cover a breadth of cinematic movements that were part of the era’s radical politics and independence movements.
The book's cluster-based organization allows students to acquire a progressively sharper understanding of core issues about genre, aesthetics, industry, culture, history, film theory, and representation that apply to all films around the ...
The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, ...
Twayne Companion to Contemporary World Literature : From the Editors of World Literature Today . New York : Twayne Publishers , xvii - xxxiii . Guneratne , A. R. ( 2003 ) ' Introduction : Rethinking Third Cinema ) , in A. R. Guneratne ...
Paul Cooke looks at Hollywood's interaction with national and transnational cinemas, from German Expressionism to Bollywood and Chinese film.
... necessarily lead to one imagining a national community grounded on homogeneity and commensurability, but it opens up the possibility that one might envision a postnational community characterised by incommensurability and alterity.
Though the conversion to sound did not follow the same path everywhere, and while every country has its own history, most attention will be paid here to the main line of developments. To understand the impact of sound, it should not be ...
The flexible structure of the text allows a variety of options for classroom use or personal study. Instructors considering this book for use in a course may request an examination copy here.
... Nebel im August/Fog in August (Kai Wessel, 2016). Winter Spirits (Philipp Niklas Christ, 2016). Animation. Ghana. Beasts of No Nation (Cary Joji Fukunaga, 2015). Fukunaga is American. Greece. Politiki kouzina/A Touch of Spice (Tassos ...
World Cinema and the Ethics of Realism is a highly original study.