Testament of Time illuminates not only the long history of human activity in the southern Levant but also the long-standing connection between the Museum of Art and Archaeology at the University of Missouri-Columbia and the archaeology of that region. Under the direction of the museum's founders, Drs. Saul and Gladys Weinberg, the Palestinian collection grew to include artifacts spanning five thousand years, including the Bronze and Iron Ages as well as the Persian, Greek, Roman, and Byzantine periods. The objects highlighted here date from the fourth millenium B.C.E. to the eighth century C.E, and also include finds from the university's own pioneering excavations at Tel Anafa and Jalame. The resulting catalogue, edited by Jane Biers and James Terry, contains 190 objects from the exhibition that were chosen to represent the occupation of the Levant from the Early Bronze Age down to the eighth century. The largest component represents the Bronze and Iron Ages with a focus on death and burial, trade, domestic life, and early religion. These sections are followed by objects representative of the succession of kingdoms that dominated the Levant before the Arab conquest. Thus trade, domestic life, and the myriad of religious beliefs are examined under Persian, Greek, Roman, and Byzantine influence. Finally, two additional sections detail the University's excavations of a magnificent villa at Tel Anafa as well as the glass and ceramic technological revolutions of the Hellenistic period. The catalogue thus encompasses the long history and cultural complexity of the Levant and is a testament in itself to impeccable scholarship and educated collecting. Photographs are by Jeffrey Wilcox and include over 200 images, with 17 in color.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...