Ars Erotica looks at the way in which perceptions of the erotic and its expressions have changed at turning points in Western history - how the interplay of repression and permissiveness has affected art and literature. The social course of sexuality is revealed in the erotic poetry and prose of writers from ancient times through the present, including John Donne, Pablo Neruda, the Marquis de Sade, e.e. cummings, and many anonymous writers. Arousing art of all periods and mediums - images illustrating the Kama Sutra and Japanese scrolls, the engravings of Marcantonio Raimondi, the paintings of Watteau and Manet, Edward Munch's Puberty, the photography of Arthur Tress, and the work of Aubrey Beardsley, David Hockney, Andres Serrano, and many others - illustrates the theme of each chapter. Contemporaneous social and critical reactions to this art and literature are discussed, and debates are presented on the timeless issue of pornography.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei