The long-awaited memoir from one of the most acclaimed radical writers in American literature. Described by the London Review of Books as one of “the most brilliant critics writing in America today,” Gary Indiana is a true radical whose caustic voice has by turns haunted and influenced the literary and artistic establishments. With I Can Give You Anything but Love, Gary Indiana has composed a literary, unabashedly wicked, and revealing montage of excursions into his life and work—from his early days growing up gay in rural New Hampshire to his escape to Haight-Ashbury in the post–summer-of-love era, the sweltering 1970s in Los Angeles, and ultimately his existence in New York in the 1980s as a bona fide downtown personality. Interspersed throughout his vivid recollections are present-day chapters set against the louche culture and raw sexuality of Cuba, where he has lived and worked occasionally for the past fifteen years. Connoisseurs will recognize in this—his most personal book yet—the same mixture of humor and realism, philosophy and immediacy, that have long confused the definitions of genre applied to his writing. Vivid, atmospheric, revealing, and entertaining, this is an engrossing read and a serious contribution to the genres of gay and literary memoir.
Dorothy Fields and Her Life in the American Musical Theater Kristin Stultz Pressley. Kristin Stultz Pressley DOROTHY FIELDS and Her Life in the American Musical Theater I CAN'T GIVE YOU ANYTHING BUT LOVE , BABY I Can't Give You Anything ...
E 687442 (6 March 1928) It is possible that "I Can't Give You Anything But Love," though copyrighted by Fields and McHugh, was actually written by Waller and Razaf.1 Both takes transcribed here were recorded at the same session, ...
By the fifties Porter's production finally began to deteriorate, in volume and sometimes in quality. He provided the musical scores for Broadway's Out of This World, Can-Can, and Silk Stockings. He also wrote songs for the films High ...
31. At this point, history differs as to what happened next. Every discography states that “I Can't Give You Anything but Love” was recorded on March 5, 1929, the same day as another tune, ...
... 51, 189, 532, 545 McMillan, Victor, 606, 758 McMurry, Lillian, 612n166, 623, 841, 841n198 McMurtry, James, 726 McMurtry, Larry, 726 McNally, Zeb, 286 McNaughton, Trevor, 863 McNeely, Big Jay, 619n204 McPhatter, Clyde, 229, 559, 620, ...
One might ask if the very popularity of “I Can't Give You Anything but Love” encouraged McHugh and Fields to surround the song with anecdotes. Did the authors feel a special need to legitimize this song and make it their own?
The week “Satin Doll” was recorded, the number one song in America was “The Doggie in the Window,” sung by Patti Page, and when fans got tired of that, they next raised Percy Faith's “The Song from Moulin Rouge” to the top spot.
Speak Low, Emily, High on You, How High the Moon Subconscious-Lee, I 'm Old Fashioned, Lunarcy, April, I Can't Give You Anything but Love, Kary's Trance, My Old Flame, It's You or No One, Dance Only with Me (Levy solo), Sax of a Kind, ...
This Benny Goodman entity, penned by Al J. Neilburg, Symes, and Jerry Levinson, is again given further credibility as by Mildred's excellent vocal. ... This ditty, penned by Milton Ager, Ned Wever and Jean Schwartz, ain't bad.
I CAN'T GIVE YOU ANYTHING BUT LOVE LENA FROM PALESTEENA. " Duet " by Kenneth Burke Gee but it's tough to be broke , kid , It's not a joke kid , it's a curse , My luck is changing , it's gotten From simply rotten , to something worse .