In September 1879, James McNeill Whistler boarded the Venice-bound night train in Paris. He was forty-five years old and bankrupt. What was to be a three-month stay in the Italian city--long enough to complete a set of twelve etchings--stretched to fourteen months. When Whistler returned to London, he brought back over fifty magnificent etchings and a hundred pastels, far in excess of the original commission. In "Palaces in the Night, "Margaret F. MacDonald looks at this key period in Whistler's career, examining his unique vision of Venice and his development of the medium of etching. She shows how he reestablished himself in the art world of London and Paris, turning disaster and disgrace into profit and prestige. Lavishly illustrated with some of the most beautiful and intriguing images Whistler ever produced, this book provides a fascinating account of a pivotal period in the artist's long and complicated career. Whistler's aim was to restore both his fortune and reputation with the Venetian etchings. To that end he included views of familiar sights like the Riva degli Schiavoni and San Marco, but he also captured quiet backwaters, secret gardens, and lantern-lit windows that did not appear in any guidebook. His selection of views and compositions, plus the expressiveness of his line and printing, differentiated his work from that of others, and MacDonald shows the process by which Whistler selected, shaped, and edited his Venetian corpus. He drew figures in distinctively Italian costume, each an individual, moving, gesturing, and interacting with other real people. An appendix of Whistler's letters from Venice provides an entertaining account of his time there and also deepens the reader's understanding of how the city challenged and inspired him.
John Moore, Uncommon Vistas: Urban, Suburban and Industrial Views
Frank Stella's paintings are lean, but leanness does not necessarily mean unfeelingness. This is the problem that monochrome painting creates, and Minimal art in general.
"Revelation describes the viewer's experience of seeing more than thirty major paintings by Jules Olitski together all at once--a new and illuminating look at nearly fifty years of the Russian-born artist's productivity." --Préf.
Robert Andrew Parker
1984 1978 Spends first winter in Florida on Casey Key , Nokomis . His memoir , A Not - So - Still Life , dealing with his youth and early years in America , is published by St. Martin's Press / Marek , New York .
Martin Johnson Heade (1819-1904) had the longest career and produced perhaps the most varied body of work of any American painter of the nineteenth century.
This book features 11 paintings by Pollock selected from MoMA's substantial collection of his work.
Masterpieces of American Painting from the Brooklyn Museum
The first to capture the full range of [Stuart Davis'] remarkable career, from the Armory Show of 1913 to his las brilliant works of the 1960s.
Kikuo Saito: Recent Paintings