This unusual treatment of the Russian avant-garde offers original insights into the broad and complex unfolding of Russian art up to the 1950s. Beginning with an account of the movement's origins in about 1870, and concluding with the death of Stalin, Andrew Spira demonstrates how icons underpin the development of nineteenth- and twentieth-century Russian art. The Avant-Garde Icon throws a new light on the deeper meaning and significance of icons. It adds to art-historical debates around early twentieth-century art, whilst also catering to those who have a general interest in icons and in the stunning images produced in Russia throughout this tumultuous period.
皮埃尔-奥古斯特·雷诺阿生活和呼吸着的是一种新的艺术风格,对他来说,第一次印象派画展意义重大,他的画作得到艺术家们的肯定。1873年他搬到了蒙马特并在那里度过了一生 ...
周... III.1雷诺阿,H.(1841-1919)—生平事迹 2 油画—作品集—法国—近代 IV.1K835.655.722J233 中国版本图书馆CIP数据核字(2004)第051724号© Confidential Concepts, Worldwide, USA © Parkstone PressInternational, New York, USA 书名:莫奈译者:蔡德崑 ...
Currier's Price Guide to European Artists 1545-1945 at Auction: Current Price Ranges on the Original Art of Over 13,000 European...
sexual desire by Bloch . Bloch ( together with Oncle Adolphe ) is very much the bringer of discord , and his revelations , whose truth in terms of detail is unimportant , strike home in the young Marcel , through their attack at the ...
Seven years earlier , he had met Georgette Berger ( 1901–1986 ) , his future wife , on a carousel at the Charleroi town fair . Now , in 1920 , he runs into her by chance in the botanical gardens in Brussels , where he has moved a couple ...
This book challenges many lasting misconceptions about nineteenth-century art. It includes a preface by collectors Joey and Toby Tanenbaum and an introductory essay on the collection by Alison McQueen. "
33 André was long presumed to have worked with his father , Alphonse Giroux , a well - known art dealer . In fact , André and his brother , Alphonse - Gustave , bought the firm from their parents in 1838 , making them the sole owners .
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Paul Critchley