This volume brings to a triumphant conclusion this monumental project to catalogue, describe and illustrate every Romano-British mosaic. The area covered by the fourth and final volume in the corpus is one of the richest regions of Britain in economic as well as architectural and artistic terms and this is reflected in the quantity and quality of the region's mosaics, which include the largest figured mosaic ever found in Britain - the Woodchester Orpheus pavement - which was perhaps the inspiration for the other famous Orpheus mosaics of the Roman Cotswolds. At the heart of this affluent region is Cirencester, Roman Britain's second largest town, represented here by more than sixty mosaics, the second-century examples being the most exquisite in the country. There are also many fine mosaics from the region's highly ornate villas, as well as from the towns of Gloucester, Caerwent and Wroxeter. The catalogue follows the format of earlier volumes in providing an account of each mosaic's discovery and locating the mosaic within its building plan. Following the description are notable parallels and major references. Many of the illustrations are by the authors, with additional ones by Luigi Thompson, as well as photographs and historical engravings, a high proportion of the latter by Samuel Lysons whose home was in Gloucestershire where he did much of his pioneering work in archaeological excavation and illustration. Brief biographies of Lysons and all the other artists whose work grace all four volumes appear at the end of this volume. As with previous volume the work is preceded with a substantial introduction. This deals with the history and topography of the region, buildings and rooms, an assessment of regional workshops, and schemes, ending with a consideration of mosaics in relation to the end of Roman Britain.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...