From "The Next Generation" and "The X-Files", to "Farscape" and "Enterprise", sci-fi television series in the US have multiplied since the 1980s. Jan Johnson-Smith shows how, in line with national political upheavals, this vibrant and perplexing genre set about expanding the myth of the Western frontier into deep space. She looks at the "sense of wonder" or sublime that infuses much Frontier art and science fiction, and traces a possible historical precedent to the genre in the fabulous and heroic journeys of the Classical epic. She discusses narrative styles and their influences, from the overarching narrative of "Babylon 5" to the episodic formula of "The Outer Limits", considers how experimental series such as "Twin Peaks" challenge conventional structures, and how and why sci-fi television has adopted new technologies. She also explores the juxtaposition of arcane language and technological jargon in modern American sci-fi television, revealing the extraordinarily alien, yet curiously familiar arena it creates.
The definitive introduction to American science fiction, this is also the first study to analyse SF across both film and TV. Throughout, the discussion is illustrated with critical case studies of key films and television series, including ...
As Americans grappled with the real problems of the atomic age in the 1950s, the science fiction television series provided escapist fare. At first essentially fantasy and adventure, the shows...
The first in the Routledge Television Guidebooks series, Science Fiction TV offers an introduction to the versatile and evolving genre of science fiction television, combining historical overview with textual readings to analyze its ...
Jacques Siclier and André S. Labarthe , Images de la Science - Fiction ( Paris : Les Editions du Cerf , 1958 ) , p . ... 1 Married a Monster from Outer Space ( Gene Fowler , Jr. , 1958 ) , The Day Mars Invaded the Earth ( Maury Dexter ...
However , the film and its sequels draw upon numerous predecessors , and the link between Star Wars and its various indirect sources is among the most widely discussed aspects of the film . For example , Joseph Campbell's writings on ...
Then, by relying solely on Campbell's explications ofthemonomyth'sseventeen episodes, one candeduce that nearly every episode “mirrors the monomyth asawhole in at leastoneofthree ways:by echoingits 'separation—initiation—return' ...
Provides a chronological, in-depth survey of American science fiction television series from the 1950s through the present day.
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This volume narrates the history of science on television, from the 1940s to the turn of the 21st-century, to demonstrate how disagreements between scientists and television executives inhibited the medium's potential to engage in ...
This book is a personal account of John Wade’s fascination with the genre across all the entertainment media in which it appeared—the sort of stuff he reveled in as a young boy—and still enjoys today. “Not only a well–researched ...