Of all the theatrical genres most prized by the Victorians, pantomime is the only one to have survived continuously into the twenty-first century. It remains as true today as it was in the 1830s, that a visit to the pantomime constitutes the first theatrical experience of most children and now, as then, a successful pantomime season is the key to the financial health of most theatres. Everyone went to the pantomime, from Queen Victoria and the royal family to the humblest of her subjects. It appealed equally to West End and East End, to London and the provinces, to both sexes and all ages. Many Victorian luminaries were devotees of the pantomime, notably among them John Ruskin, Charles Dickens, Lewis Carroll and W.E. Gladstone. In this vivid and evocative account of the Victorian pantomime, Jeffrey Richards examines the potent combination of slapstick, spectacle and subversion that ensured the enduring popularity of the form. The secret of its success, he argues, was its continual evolution. It acted as an accurate cultural barometer of its times, directly reflecting current attitudes, beliefs and preoccupations, and it kept up a flow of instantly recognisable topical allusions to political rows, fashion fads, technological triumphs, wars and revolutions, and society scandals. Richards assesses throughout the contribution of writers, producers, designers and stars to the success of the pantomime in its golden age. This book is a treat as rich and appetizing as turkey, mince pies and plum pudding.
A compilation of pantomime-related reviews and anecdotes from 'The Era' and other newspapers published between 1806 and 1904.
Modern mime, which has emerged as a major art form has its roots in the theatre work of Jacques Copeau in Paris in the 1920s.
A History of Pantomime
Hanneke Grootenboer, 'Treasuring the Gaze: Eye Miniature Portraits and the Intimacy of Vision', The Art Bulletin 88, no. ... The Book of the Pearl: The History, Art, Science, and Industry of the Queen of Gems (New York: The Century Co., ...
... where he studied social sciences In 1973 Kevin graduated from Nottingham with a 2:1 degree in social science, after which he went into retail management, joining the Graduate Management Training Scheme at Marks & Spencer.
In synthesizing the elements of Commedia, this book introduces the history of the Sartori mask studio; presents a comparison between Gozzi and Goldoniās complicated and adversarial approaches to theatre; invites discussions on ...
... Pantomime 1806-1836 ( Harvard , 1969 ) ; Bryony Dixon , Chaplin and the Harlequinade ( http://chaplin.bfi.org.uk/programme/essays/ harlequinade.html : accessed 18/10/2021 ) ; Jeffrey Richards , Harlequinade and the Golden Age of Pantomime ...
About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work.
... Pantomime developed out of the Italian commedia dell'arte characters of the Harlequinade ; how men like John Rich, the eighteenth century theatre manager, Grimaldi, the most famous clown with...
The study of Victorian pantomime has recently been reinvigorated: Jim Davis's conference on Victorian pantomime at Warwick University in 2007 paved the way for a compilation of essays, Victorian Pantomime: A Collection of Critical ...