Feminist filmmakers are hitting the headlines. The last decade has witnessed: the first Best Director Academy Award won by a woman; female filmmakers reviving, or starting, careers via analogue and digital television; women filmmakers emerging from Saudi Arabia, Palestine, Pakistan, South Korea, Paraguay, Peru, Burkina Faso, Kenya and The Cree Nation; a bold emergent trans cinema; feminist porn screened at public festivals; Sweden's A-Markt for films that pass the Bechdel Test; and Pussy Riot's online videos sending shockwaves around the world. A new generation of feminist filmmakers, curators and critics is not only influencing contemporary debates on gender and sexuality, but starting to change cinema itself, calling for a film world that is intersectional, sustainable, family-friendly and far-reaching. Political Animals argues that, forty years since Laura Mulvey's seminal essay 'Visual Pleasure and Narrative Cinema' identified the urgent need for a feminist counter-cinema, this promise seems to be on the point of fulfilment. Forty years of a transnational, trans-generational cinema has given rise to conversations between the work of now well-established filmmakers such as Abigail Child, Sally Potter and Agnes Varda, twenty-first century auteurs including Kelly Reichardt and Lucretia Martel, and emerging directors such as Sandrine Bonnaire, Shonali Bose, Zeina Daccache, and Hana Makhmalbaf. A new and diverse generation of British independent filmmakers such as Franny Armstrong, Andrea Arnold, Amma Asante, Clio Barnard, Tina Gharavi, Sally El Hoseini, Carol Morley, Samantha Morton, Penny Woolcock, and Campbell X join a worldwide dialogue between filmmakers and viewers hungry for a new and informed point of view. Lovely, vigorous and brave, the new feminist cinema is a political animal that refuses to be domesticated by the persistence of everyday sexism, striking out boldly to claim the public sphere as its own.
Why, when it comes to politics, do we often seem so gullible and uninformed? InPolitical Animals, the bestselling historian and journalist Rick Shenkman reveals the hidden biases at work in all of us when we enter the voting booth.
Responding to the perception that the display would feature only a Genesis story , Park Board member Joseph Schulte clarified that the display “ will illustrated the uniquely human desire to explain the origins of the Earth and human ...
Political Animals: Memoirs of a Sentimental Cynic
H. Rackham (London: Heinemann and Cambridge, Mass.: Harvard University Press). ... Cole, T. (1967) Democritus and the Sources of Greek Anthropology, American Philological Association Monograph 25. Collier, A. (1977) R.D. Laing: The ...
Winner, 2020 ASCA Book Award, given by the Amsterdam School of Cultural Analysis A groundbreaking argument for the political rights of animals In When Animals Speak, Eva Meijer develops a new, ground-breaking theory of language and politics ...
The first collection of essays on Aristotle's philosophy of human nature, covering the metaphysical, biological and ethical works.
The diversity of methods discussed and variety of issues examined here will make this book of great interest to students and scholars seeking a comprehensive overview of this emerging approach to the study of politics and behavior.
... ended up in a French department, I think he will be happy to see both animals and Foucault in the following pages. ... Kristine Kotecki, Jesse Knutson, J. Vera Lee, Laura Lyons, Njoroge Njoroge, Georganne Nordstrom, Nandi Odhiambo, ...
At the same time, he argues that humans have a greater interest in life and liberty than most species of nonhuman animals.
While of course there would be no dominion for an animal political theory if one cannot presume animals to have any moral status, I do believe that race is run. The questions that I will be addressing originate in the politicisation of ...