American Science Fiction Film and Television presents a critical history of late 20th Century SF together with an analysis of the cultural and thematic concerns of this popular genre. Science fiction film and television were initially inspired by the classic literature of HG Wells and Jules Verne. The potential and fears born with the Atomic age fuelled the popularity of the genre, upping the stakes for both technology and apocalypse. From the Cold War through to America's current War on Terror, science fiction has proved a subtle vehicle for the hopes, fears and preoccupations of a nation at war. The definitive introduction to American science fiction, this is also the first study to analyse SF across both film and TV. Throughout, the discussion is illustrated with critical case studies of key films and television series, including The Day the Earth Stood Still, Planet of the Apes, Star Trek: The Next Generation, The X-Files, and Battlestar Galactica.
Offering new insights and perspectives on the cinematic science fiction genre, this volume will appeal primarily to scholars and students of film, television, cultural and media studies, as well as anyone interested in science fiction and ...
A full-length analysis of the popular phenomenon of American science fiction television argues that the genre has replaced the Western in the American cultural imagination; explores common themes in science fiction--including politics, ...
The first in the Routledge Television Guidebooks series, Science Fiction TV offers an introduction to the versatile and evolving genre of science fiction television, combining historical overview with textual readings to analyze its ...
One of the great intellectual achievements of the 20th century, Joseph Campbell's The Hero with a Thousand Faces is an elaborate articulation of the monomyth: the narrative pattern underlying countless stories from the most ancient myths ...
The play was directed and choreographed by Michael Kidd, but he wasn't carried over to the movie, though his assistant Dee Dee Wood's staging for the film faithfully followed Kidd's original plans. Peter Palmer, Stubby Kaye, ...
This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions.
Visible Fictions: Cinema, Television, Video. Rev. ed. London: Routledge, 1992. Gatts, Strawberry. “The Use of Holograms in 'Logan's Run.'” American Cinematographer (June 1976): 650–651, 669, 706. Gentry, Ric.
This book is ideal for general readers interested in science fiction and film.
A widely held attitude that Penley and Ross describe sees technology as a largely neutral, but potentially liberating force that promises to open up "utopian" possibilities for all. This view, which they suggest is rather naive, ...
As Americans grappled with the real problems of the atomic age in the 1950s, the science fiction television series provided escapist fare. At first essentially fantasy and adventure, the shows...