An account of the location of black intellectuals in the modern world following the end of racial slavery. The lives and writings of key African Americans such as Martin Delany, W.E.B. Dubois, Frederick Douglas and Richard Wright are examined in the light of their experiences in Europe and Africa.
This collection brings together some of the key contributions to this growing body of scholarship, showing a range of methodological approaches, that can be used to understand and reconstruct the lives of these enslaved people.
These questions are at the heart of this timely collection of essays about the relationship between digital humanities and Black Atlantic studies, offering critical insights into race, migration, media, and scholarly knowledge production.
137 (Tomorrow, when the Muntu awakes with its message and sing in the streets the glorious name of Changó, they will repeat the same mumbo jumbo they threw at the prophet Garvey: “the Worship of Life and Shadows is an irrational ...
Recently, however, fiction writers have ventured to 're-member' the Black Atlantic. This book is concerned with how literature performs as memory.
This book extends our understanding of the black Atlantic, a term coined by Paul Gilroy to describe the political, cultural and creative interrelations among blacks living in Africa, the Americas and Europe.
There I found a copy of Henry Louis Gates, Jr.'s recently published anthology The Classic Slave Narratives, ... Equiano has far more often been considered as a predecessor of Frederick Douglass in the development of the African American ...
This outstanding volume expands the concept of the Black Atlantic by reaching beyond the usual African-American focus of the field, presenting fresh perspectives on postcolonial experiences of technology and modernization.
Nova luz sobre a antropologia. Rio de Janeiro: Jorge Zahar Editor. Genovese, Eugene. 1974. Roll, Jordan, Roll: The World the Slaves Made. New York: Pantheon Books. —————. 1979. From Rebellion to Revolution: AfroAmerican Slave Revolts in ...
The Surreptitious Speech. Ed. V. Y. Mudimbe. Chicago: U. of Chicago Press, 1992. 14–44. ———. Black Paris: The African Writers' Landscape. Urbana: U of Illinois Press, 1998. King, Richard. Race, Culture, and the Intellectuals: 1940–1970.
Gilroy cites Richard Wright's The Outsideras a model for black art, but the poetic career of Langston Hughes might be an even more appropriate candidate for the category. Perhaps more than any other African American artist in the last ...