01 September 2001, Lansdowne Road: Ireland vs Holland. With the Dutchmen standing firmly between them and the World Cup, the task Ireland faced seemed impossible to fulfil. What followed, however, was completely unexpected. In one of the biggest upsets ever seen in soccer the Irish team beat the formidable Dutch team to gatecrash the party.
In short, how one of today's top professional footballer managers somehow copes with the slings and arrows of outrageous fortune, with having to live, breathe and sleep football 24 hours a day, 365 days a year? Then read The Gaffer.
Part of it was that Aidan Quinn was just so strong in the movie . What turned out to be emotionally satisfying to the audience was the thought that Quinn would end up with the female lead . " Initially we thought that it was so much ...
The gaffers used to come round asking him to go, and set a machine up for them. He'd take the money, promise to turn up, and then go straight to the pub! He was an alcoholic, so we never had owt. Silly little things stick in my mind, ...
A friendly, hands-on training manual and reference for lighting technicians in motion picture and television production, this handbook is the most comprehensive guide to set lighting available.
Comprehensive, detailed and practical, The Gaffer's Handbook is a manual covering the day-to-day practices, equipment and tricks of the trade essential to the motion picture gaffer.
Lighting for Cinematography, the first volume in the new CineTech Guides to the Film Crafts series, is the indispensable guide for film and video lighting.
Gaffer is a surreal, haunting novel of a young man tied to a place, but able to explore the depths of the sea and swim freely across the tides of time.
You hear it in almost every football interview nowadays: the gaffer told us this and the gaffer told us that. The word 'gaffer', footballing slang for the boss or manager, has become part of modern-day football culture.
This handbook offers a wealth of practical technical information, useful techniques, as well as aesthetic discussions.
I go to my director, who is Howard Hawks, and say, “Howard, we are in trouble.” He says, “What?” so I explain, “The generator broke down.” He says, “What do you mean, 'we are in trouble,' that's your problem. I am not the photographer, ...