In 1915 the United Daughters of the Confederacy leased the land and commissioned Gutzon Borglum, later the sculptor of Mount Rushmore, to carve the Lost Cause memorial on the mountain where the second Ku Klux Klan was resurrected by William J. Simmons. Proceeding intermittently over six decades, the project was given added impetus in the wake of the South's massive resistance to racial integration. Capitalizing on this impulse, the state of Georgia funded the completion of the project in 1958 for use as a tourist attraction. Opening as a theme park in 1970, Stone Mountain now draws some five million visitors a year, exceeded only by the Disney theme parks in Orlando, Florida. David Freeman's Carved in Stone narrates the development of Stone Mountain from natural wonder to historic site to recreational park. This elegantly written story recounts the fits and starts of the Stone Mountain project, tracing the mountain's changing meaning over time. Readers of Georgia history and enthusiasts of Confederate iconography will find Freeman's work a fascinating story.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...