This book examines the working method, experimental techniques, and compositional choices Matisse used in works created between 1913 and 1917. The works that Henri Matisse (1869-1954) executed between late 1913 and 1917 are among his most demanding, experimental, and enigmatic. Often sharply composed, heavily reworked, and dominated by the colors black and gray, these compositions are rigorously abstracted and purged of nearly all descriptive detail. Although they have typically been treated as unrelated to one another, as aberrations within the artist's oeuvre, or as singular responses to Cubism or World War I, this book reveals the deep connections among them.
Includes bibliographical references (page 310) and index.
Don't say no " ( March 1949 ) ; " One is led , one doesn't lead . I am only a servant . " " Death is not at all final , it is a door that opens " ( March 1952 ) . A recurrent theme in Matisse's later statements , reflecting his freedom ...
Chronicles the later years of the influential artist, interweaving analyses of his work with a study of Matisse's relationships with family and friends, trips around the world, the women in his life, and the continuing influences on the ...
Matisse, Lithographs
This book, part of the MoMA Artist Series, features eleven paintings, sculptures, and works on paper by Matisse selected from The Museum of Modern Art’s substantial collection of his work.
Henri Matisse: Figure Color Space~ISBN 3-7757-1601-7 U.S. $65.00 / Clothbound, 9.75 x 12 in. / 384 pgs / 200 color and 40 b&w. ~Item / February / Art Basically, there's only one: Matisse. --Pablo Picasso
John Elderfield calls the uncertain Matisse who painted all these pictures of Laurette "a kind of Hamlet of painting"; "Describing Matisse." in Henri Matisse: A Retrospective, exh. cat. (New York: Museum of Modern Art. 1992), p. 66.
The Dealer, His Artists, His Collection : the Pierre and Maria-Gaetana Matisse Collection Metropolitan Museum of Art (New York, ... Exhibition, Museum of Fine Arts, Boston, May 11-June 26, 1966 (venue of Los Angeles-Chicago 1966).
The Museum Of Modern Art, November 13, 1951 To January 13, 1952; The Cleveland Museum Of Art, February 5 To March 16, 1952; The Art Institute Of Chicago, April 1 To May 4, 1952; The San Francisco Museum Of Art, May 22 To July 6, 1952.
While focusing primarily on color reproductions of Matisse's most famous paintings, this book also gives a biographical sketch of the famous French artist.