The prominence and vehemence of public debate about Hannie Rayson's Two Brothers has renewed the public interest in the power of contemporary Australian theatre. Not since the 1970s has there been such mainstream media attention on the work and role of Australian playwrights. "Power Plays" capitalises on this moment of renewed and heightened interest by investigating the why and the how of eight contemporary Australian playwrights: Andrew Bovell, Patricia Cornelius, Reg Cribb, Ben Ellis, Wesley Enoch, Hannie Rayson, Stephen Sewell and Katherine Thomson. These writers are passionate about the theatre as a forum for public discussion and they interrogate current issues in their work. Their plays reflect the passing show of cultural, political and economic life in Australia, telling audiences something critical about what is going on: this is the state of play, this is what we are. The author has conducted extensive interviews with these writers and offers an extended analysis of some of their recent plays.
Blurred: creating performance for young people book and disk.
And can the idealism and fervour of their youth be rekindled? Written with Hannie Rayson's characteristic wit and wisdom, this is a seductive comedy from the writer of Life after George and Inheritance. (2 acts, 3 male, 4 female)
Most of all, it is a story about the struggle between compassion and security in an age of terror. Part political thriller, part family drama, "Two Brothers" is written with Hannie Rayson's characteristic insight and humanity.
A play about women in medicine, in the media and in the office -- power and authority in female hands. They are 40 and their friendship is about to be tested (2 acts, 2 men, 5 women).
State Theatre Company Programs.
Andreas Litras' remarkable one-man play, Odyssey, interweaves three narratives: Homer's Odyssey, the ancient tale, provides the template for an enactment of Litras' parents', Angelo and Paraskevi's, migration to Australia, and the performer ...
Siren is a love story with a difference -- a situation comedy for the 1990s (2 acts, 5 men, 2 women).
Australia's most well-known playwright, David Williamson, returns with four new plays -- three comedies that demonstrate his continued skill at tapping into the zeitgeist, alongside a sweeping historical drama.
David Williamson has created a family scenario that is frighteningly recognisable. At times hilarious, at times tortuous, this is a frank, critical look at Australian suburban life from the 1960s to the 1990s (2 acts, 3 men, 6 women).
'Birthrights' tells the story of two sisters who compete for their child's love.