In Writing Home, Michael Wilson demonstrates that the use of acceptable Western literary forms by indigenous peoples, while sometimes effective, has frequently distorted essential truths about their cultures. Sermons, for instance, have provided some indigenous authors with a means to criticize colonialism; but ultimately this institutional form, by its very nature, expresses a hierarchical relationship between Christian religions and indigenous beliefs and practices. Similarly, autobiographies are useful vehicles for explaining the cultural practices of a particular tribal group?or personalizing the destructive forces of colonialism?yet the autobiographical form itself suggests an ethos of individualism entirely contrary to a vision of communal identity central to many indigenous groups. Short fiction and novels are often built around conflict. Although indigenous writers have used this thematic approach with considerable artistry to express the clash between indigenous societies and the forces of colonialism, for many indigenous people the idea of conflict as the basis of cultural expression may be antithetical to a relational, perhaps familial, attitude toward the world and other people. Writing Home explores the ways that indigenous writers use ideas and structures from primarily oral traditions to resist, for example, colonial metanarratives that legitimize and even demand the disappearance of indigenous peoples?Manifest Destiny, Social Darwinism, and the inevitable plight of the tragic "mixed blood." To this end, Wilson examines selected works by Mourning Dove (Humishuma), Leslie Marmon Silko, Gerald Vizenor, Louise Erdrich, and Ray Young Bear. In the effort to create a mimetic form of representation that is appropriate to their cultures, these writers, Wilson finds, confront issues of authenticity, identity, and society. Ultimately, Wilson's investigation reminds us of the difficulty and ingenuity required to rescue an authentic written representation of a culture from the distortions caused by the colonialist's "accepted" representational structures.
Bringing together the hilarious, revealing, and lucidly intelligent writing of one of England's best known literary figures, Writing Home includes the journalism, book and theater reviews, and diaries of Alan Bennett, as well as "The Lady ...
Here is a personal and compassionate book for everyone writers, poets, teachers, lovers of life, and especially those seeking to find their writing voices again or for the first time....
Writing Home helps fill that void and, with Goldblatt’s emphasis on “out of school” literacy, fosters an understanding of literacy as a social practice.
While the stories of abuse compel and disturb us, their message of healing and self-empowerment inspires us. Letters Home offers true self-help.
The first chronological presentation of U.S. nature writing by key women authors of the last two centuries.
works: Eugene O'Neill wrote Long Day's Journey Into Night at Tao House in Danville, California; Edgar Allan Poe National Historic Site in Philadelphia, Pennsylvania, saw the birth of ''The Fall of the House of Usher.
The funny, revealing, and lucidly intelligent writing of one of England's best-known literary figures, Writing Home includes Bennett's journalism, book and theater reviews, his diaries from the 1980s, an account of Miss Shepherd--a London ...
A thought-provoking collection of personal essays about home What makes a home? What do equality, safety, and politics have to do with it? And why is it so important to...
Schriber does a fine job of embedding American women's travel writing in the larger tradition of the genre, and her forthright and accessible style will make this book valuable to scholars and students in the field".
... writing. Others, however, have had quite different experiences from my own. "If my father was alive," said V. S. Naipaul about the writing of his novel A House for Mr. Biswas, "clearly I wouldn't have been able ... WRITING, AND LEAVING HOME.