This publication, produced in conjunction with the exhibition of the same title at the Meadows Museum, Dallas, highlights the development of Greek art from the dawn of the Iron Age to the age of Alexander, featuring forty-four exceptional ancient Greek, Etruscan, and Italic vases. Monuments to the search by Greek artists for the means of realizing on a small scale, and on a two-dimensional surface, accurate renderings of the human form, human spaces, and divine narratives, these painted vessels are masterpieces of the potter’s craft and the painter’s art. The Greek artists represented—including the Athenians: Andokides, the Berlin Painter, Epiktetos, the Painter of the Madrid Fountain, the Tarquinia Painter, as well as the Baltimore Painter of Magna Graecia—are some of the masters of the medium, and the varied types of vessels span the ancient Greek and Italian world both chronologically and geographically. Reproduced in ninety color plates and accompanied by critical texts documenting each vase and interpreting the meaning of the painted subjects, content of the painting, the vases commend themselves not only for their quality and excellent state of preservation, but for their range of imagery. Many are published here for the first time. Featured in this volume are essays by prominent scholars Paloma Cabrera, Karl Kilinski II, Jenifer Neils, Ann Steiner, Sarah Peirce, and P. Gregory Warden, who approach the general subject from an iconographical as well as purely aesthetic point of view.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...