"This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Text and pictures chronicle the impressionist movement.
In 1863 Claude Monet and Frederic Bazille left Paris for Barbizon, a small village on the edge of the Forest of Fontainebleau, forty miles south-west of Paris. They came to...
Wechsler 1 9X2. and Isaacson 19X2. Art historians first began commenting on this by focusing on specific borrowings, such as Degas's from Daumier, or Manet's from popular illustrations, and subsequently by broader inquiries into the ...
Impressionism
"Inspiring Impressionism" explores links between Impressionists and the major European art-historical movements that came before them, demonstrating how often beneath the Impressionists' commitment to capturing contemporary life there lay a...
Modern matters: A blow-by-blow account of groundbreaking modernismThe modern art adventure began roughly 150 years ago in Paris.
Simply put, the idea of Monet's art as in crisis seems formalist. ... Expressionist artists, critics, and curators in the 1950s and 1960s, among them Clement Greenberg and William Seitz, whose 1960 text on Monet saw wide circulation.
Now, with this book, we have a full account of the development of this revolutionary style in painting during the four decades after 1875, first in France, then in the United States, and finally in Canada.
Artists and thier schools, Barbizon: the origins of impressionism
With an introduction providing the historical background to Impressionism, and a comprehensive section on artists' materials, this is a highly practical book that will appeal both to beginners and more experienced artists, as well as to the ...