Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR
New York: Empire City in the Age of Urbanism, 1875-1945
Women hadn't been allowed until the Haig administration. It was a historic place. Thanksgiving wishbones from World War I doughboys who didn't make it home from France still hung from the rafters. “Have an ancestor who fought over there ...
Americans and the Aesthetic Movement Doreen Bolger Burke, Alice Cooney Frelinghuysen, Metropolitan Museum of Art (New York, N.Y.) ... In 1905 Ware enrolled in a drawing class taught by Philip Hale at the Museum of Fine Arts, Boston.
This major anthology brings together the best literary writing about New York--from O. Henry, Theodore Dreiser, F. Scott Fitzgerald, and John Steinbeck to Paul Auster and James Baldwin.
New York City between the wars comes gloriously to life in this fascinating collection of 100 historical photographs of its notable streetscapes and landmarks.
The fall of Rome was the proof text for this lesson , but in nineteenth - century American culture , its locus classicus was Thomas Cole's monumental cycle of paintings The Course of Empire . Exhibited in New York in 1836 , it portrayed ...
A highly-illustrated history and survey of centers of book production and use within the Holy Roman Empire over the course of seven hundred years.
In this vital memoir, Kelly reveals the inside stories of his life in the hot seat of "the capital of the world"-from the terror plots that nearly brought a city to its knees to his dealings with politicians, including Presidents Bill ...
Together these essays propose a major shift in the historiography of British art and a blueprint for further research.
He too was a signer.35 For Jews the Sunday question carried special significance. As Rabbi J. Silverman, of Temple Emanu-El, observed, “a 'Sacred Sunday' was an institution unworthy of the Government of this free country.