'Threshold Poetics: Milton and Intersubjectivity' is a study of the challenge intersubjective experience poses to doctrinal formulations of difference. Focusing on 'Paradise Lost' and 'Samson Agonistes' and using feminist and relational psychoanalytic theory, the project examines representations of looking, working, eating, conversing, and touching, to argue that encounters between selves in 'threshold space' dismantle the binary oppositions that support categorical thinking. A key term throughout the study is recognition, defined as the capacity to tolerate both sameness and difference between separate selves. Recognition of likeness-in-difference thus undermines the exclusionary logic of patriarchal and poitical hierarchies. Both Eve and Dalila demonstrate the ability to respect the borders of the other while seeking out similarity, but where 'Paradise Lost' depicts the eventual achievements of intersubjective understanding between Adam and Eve after the fall, 'Samson Agonistes' records its failure when Samson, maintaining the boundaries of difference, refuses Dalila's effort to make contact.
Through a combination of case studies and theoretical investigations, the essays in this book address the imaginative power of the threshold as a productive space in literature and art.
James Longenbach's poems dwell on metaphoric gates, doorways, and end points past which our everyday world seems luminous and strange. Technically superb and quietly moving, Threshold resonates with a fresh poetic voice.
Drawing extensively from Jacques Derrida's philosophy in precise dialogue with feminist thought, animal studies and posthumanism, this book explores the vulnerability of the living as rooted in non-oppositional differences.
With love and loss ever intertwined, and a protesting voice still fierce, this collection offers the reader illuminating and beautiful poetry from a great humanist and a great poet.
On the Threshold of Eurasia explores the idea of the Russian and Soviet "East" as a political, aesthetic, and scientific system of ideas that emerged through a series of intertextual encounters produced by Russians and Turkic Muslims on the ...
This volume collects Celan’s first four books: Mohn und Gedächtnis (Poppy and Memory), Von Schwelle zu Schwelle (Threshold to Threshold), Sprachgitter (Speechgrille), and Die Niemandsrose (NoOnesRose).
About Threshold Songs, the voices in these poems perform at the interior thresholds encountered each day, where we negotiate the unfathomable proximities of knowing and not knowing, the gulf of seeing and feeling, the uncanny relation of ...
Eavan Boland, author of Domestic Violence: Poems Jennifer Richter was awarded a Wallace Stegner Fellowship and Jones Lectureship in Poetry by Stanford University, where she taught in the Creative Writing Program for four years.
Taken together, these works chart a poetic itinerary from defiance and antagonism to the establishment of a new, self-created sensibility. At their center is the poet: indefatigably intelligent, funny, flawed, and impossible to pin down.
Selected Prose of T. S. Eliot . Ed . By F. Kermode . London : Faber & Faber . 1991. Collected Poems 1909-1962 . New York : Harcourt Brace . Friedman , N. 1996. ( Re ) Valuing Cummings : Further Essays on the Poet 1962–1993 .