This expansive guide covers the where, when, and how for every step of school play production, including play selection and adaptation, auditions, casting and dealing with disappointed students, budgeting, coaching actors, setting up a production team, rehearsals, publicity, and promotion.
Directing plays in schools is far different than directing for community or professional theatre. This invaluable text effectively details and explains the world of producing plays in the school environment....
The first and only sourcebook for theatre directors and choreographers.
for First-Year Teacher's Survival Guide: Ready-to-Use Strategies, Tools & Activities Meeting the Challenges of Each ... School Newspaper Adviser's Survival Guide Patricia Osborn ISBN 978-0-7879-6624-9 Play Director's Survival Kit: ...
First-Year Teacher's Survival Guide: Ready-to-Use Strategies, Tools & Activities for Meeting the Challenges of Each ... School Newspaper Advisers Survival Guide • Patricia Osborn • ISBN 978-0-7879-6624-9 Play Director's Survival Kit: A ...
Larchmont, NY: Eye on Education. Johnson, D.,Johnson, R., & Holubec, E. (1991). ... The Second City guide to improvin the classroom: Using improvisation to teach skills and boost learning. ... Upper Saddle River, NJ: Pearson Education.
Over the years I have used scenes such as the following with great success: In Le Retour de Martin Guerre (The Return of Martin Guerre), Martin (Gérard Depardieu) is taken into custody by the judge. Under arrest and with his hands bound ...
Cultural differences, such as how people dress, eat, or worship, sometimes can be surprising when you first observe them. ... diminish due to an inaccurate assessment of ability based on biased perceptions of cultural differences.
From auditions and rehearsals to publicity, this guide leads even inexperienced directors, producers, choreographers and actors through the complicated and sometimes fearsome task of staking Shakespeare.
After thirty-five years of writing, producing, and acting in community plays, I have recognized and used the stage as a powerful tool of evangelism.
Singing “I'm not a singer, I'm an actor who sings.” That's code for, “I can't sing.” But you're probably good enough for plays with songs, where the musical director will work with your two notes and make you look good.