John Singer Sargents approach to watercolour was unconventional. Disregarding late-nineteenth-century aesthetic standards that called for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer in England, where Sargent spent much of his adult life, called his work swagger watercolours. For Sargent, however, the watercolours were not so much about swagger as about a new way of thinking. In watercolour as opposed to oils his vision became more personal and his works more interconnected. Presenting nearly 100 works of art, this book is the first major publication of Sargents watercolours in twenty years. Each chapter highlights a different subject or theme that attracted the artists attention during his travels through Europe and the Middle East: sunlight on stone, figures reclining on grass, patterns of light and shadow. Insightful essays by the worlds leading experts enhance this book and introduce readers to the full sweep of Sargents accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.
24 Henrs James, "John S. Sargent," Harper'* \e* Monthly Inyiifiwi, 75 (October 1887): 689. 2 v In this regard, Sargent brings to mind Edward Hopper, who also inventoried his surroundings. He told Alfred Barr. director of the Museum of ...
"How to paint transparent and opaque watercolors in the new acrylic artists' colors"--Jacket subtitle.
A beguiling study of John Singer Sargent's works in watercolor, which highlights his audacious, unorthodox and modernist technique.
Volume two of watercolors by John Sargent.
John Singer Sargent: Paintings, Drawings, Water Colours
SARGENT PORTRAIT DRAWINGS 42 Works by John Singer Sargent Sargent SARGENT PORTRAIT DRAWINGS : 42 Works Dover 0-486-24524-10 Portraiture is a demanding art requiring the artist to capture a likeness and render it revealing some hint of ...
Catalogue by Sandra Kay Feldman. New York, 1976. New York 1978 George Inness: Watercolors and Drawings. Exhibition, Davis and Long Company, New York, February 28—March 25, 1978. Catalogue by Robert S. Mattison. New York, 1978.
Violet Ormond to Francis [Henry] Taylor, London, November 21, I949, Metropolitan Museum of Art Archives, refers to a letter “of about a fortnight ago” to which she had not received a reply. Taylor, director of the Metropolitan from I940 ...
"Sargent makes you feel simultaneously drawn into and excluded from the sisters' world, a phenomenon that Erica E. -Hirshler explores in intriguing detail in Sargent's Daughters.
The water - colour was almost certainly a gift from the artist to his devoted friend Alice Barnard ( 1847-1918 ) . He had painted her twice at Broadway , Worcestershire , in 1885 ( see Early Portraits , nos .