Full-page reproductions of paintings spanning Monet's career and styles, from one of the largest Monet collections outside France The Museum of Fine Arts, Boston, boasts one of the largest collections of the celebrated impressionist artist Claude Monet's work outside France. This book reproduces all 35 oil paintings by Monet in the MFA's permanent collection, representing nearly the full span of Monet's long career. An introductory essay presents a brief introduction to his acclaim in Boston during his lifetime, and entries for the thirty-five paintings provide an overview of his life and work. Early plein-air compositions from the 1870s, as well as Grand Canal, Venice (1908), a later example inspired by his travels abroad, mark his enduring fascination with watery surfaces, utilizing vivid color and varied brushwork to dazzling effect. A grouping of works related to his life-long appreciation for Japanese art and culture is anchored by La Japonaise (Camille Monet in Japanese Costume) (1876), a full-length portrayal of his wife Camille in a lavishly embroidered kimono. His 1875 composition, Meadow with Poplars, inspires another section, as its depiction of poppies, poplar trees and grainstacks foreshadows the recurrence of these themes in his painting throughout the decades to follow. Claude Monet (1840-1926) trained with the plein-air painter Eugène Boudin among others, continuing his studies from 1859 onward in Paris, where he met Pissarro, Bazille, Sisley and Renoir. At their first exhibition in Paris in 1874, Monet's painting Impression, soleil levant prompted critics to mockingly describe him as an impressionist.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...