Shows examples of furniture, jewelry, glass, textiles, and ceramics considered works of art, and offers advice on collecting craft art
... 101, 189; and jewelry, 273 Pearson, Ralph M., 103, 165 Pearson, Ronald Hayes: and metalsmithing, 215, 271–72, 343; ... and Clay, 222; and John Mason, 230 Peters Valley Craft Education Center, 378 Peto, John Frederick, 323 Petterson, ...
became the mo\'emcnt's touchstonesl MORRIS & CO.: ARTS AND CRAFTS AS BUSINESS It was Williani Morris who most successfully applied the movement's theory ofethical art into business |)l'ilCliCt. In i86i, he established the firm ol'Morris ...
This book, edited by the museum's curators, uses the ASU collection to explore the idea of craft within a critical context, as both idea and action.
Michael W. Monroe, Curator-in-Charge of the Renwick Gallery of the Smithsonian Institution's National Museum of American Art, selected this collection of fine contemporary crafts specifically for the interiors of the...
Artists, critics, curators, and scholars develop theories of craft in relation to art, chronicle how fine art institutions understand and exhibit craft media, and offer accounts of activist crafting.
"Living with Form expresses the concept that artwork can become part of your home and enrich your life. This collection of contemporary crafts is focused on shape, volume, and the...
The book also includes an illustrated checklist of the Museum's more than three hundred holdings in contemporary crafts.
In this beautifully designed and illustrated volume, leading craft scholars, curators and artists come together to assess the post-War history and contemporary flourishing of craft in America.
Marking its twenty-fifth anniversary in 1997, the Renwick Gallery has become the nation's premier showcase and study center for objects made of metal, fiber, wood, clay, and glass. As a...
KPMG Peat Marwick Collection of American Craft: A Gift to the Renwick Gallery