In the wake of the remarkable success of Film Noir Reader, this new collection further explores a genre of limitless fascination -- and one that continues to inspire and galvanise the latest generation of film-makers. Again heavily illustrated, with close to 150 stills, Film Noir Reader 2 is organised much like the earlier volume.
Interviews with Filmmakers of the Classic Noir Period Alain Silver Robert Porfirio, James Ursini. Acknowledgments As with the first two volumes , the idea for an anthology on film noir goes back to fall of 1974 , so we again acknowledge ...
2 See David Soren ( 1977 ) , The Rise and Fall of the Horror Film , Baltimore , Maryland : Midnight Marquee Press , 1995 , pp . 59-64 for a brief overview of 40s horror . 3. See Paul Schrader ( 1972 ) , " Notes on Film Noir ...
The first edition of 'Women in Film Noir' (1978) assembled a group of scholars and critics committed to understanding the cinema in terms of gender, sexuality, politics, psychoanalysis and semiotics.
Parts 2 and 3 comprise two dozen newer articles, most of them written expressly for this volume by Ursini and Silver.
Explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School.
Taves, Brian. The Romance of Adventure: The Genre of Historical Adventure Movies. Jackson: University Press of Mississippi, 1993. Thomas, Tony. The Great Adventure Films. Secaucus, NJ: Citadel Press, 1976. Thorn, Roland. Samurai Films.
Last Warning , The Univ 1929. Prod : Carl Laemlle . Dir : Paul Leni . Scr : A.A. Cohn , J.G. Hawks , R.F. Hill , T. Reed . Cast : Laura La Plante , Montagu Love , Roy D'Arcy . Laura Fox 1944. Prod : Otto Preminger .
EDetours and Lost HighwaysE begins with the Orson Welles film ETouch of EvilE (1958) which featured Welles both behind and in front of the camera.
Henry Hathaway Kiss the Blood off My Hands (Universal-International) 1948, d. Norman Foster Kiss Tomorrow Goodbye (Warner Bros.) 1950, d. Gordon Douglas The Lady from Shanghai (Columbia) 1948, d. Orson Welles The Lady in the Lake (MGM) ...
This book reveals the ways in which American film noir explore the declining credibility of individuals as causal centers of agency, and how we live with the acknowledgment of such limitations.