Learning to See starts on the assumption that popular/commercial arts are a different kind of activity from avant-garde arts today; but that they represent the same kind of activity that we identify as "arts" historically. It proceeds then to investigate how popular/commercial arts carry out the social functions of historic arts. And it claims that, once we can thereby understand how historic arts worked in and for society, art history becomes a significant new tool for objective historical research as never before.
Learning to See Creatively helps photographers visualize their work, and the world, in a whole new light. Now totally rewritten, revised, and expanded, this best-selling guide takes a radical approach to creativity.
... 1891–1953 Milhaud, 1892–1974 Honegger, 1892–1955 Piston, 1894–1976 Hindemith, 1895–1963 Sessions, 1896– Thomson, 1896– Gershwin, 1898–1937 Harris, 1898–1979 Copeland, 1900– K. Weil, 1900–1950 Dellapiccola, 1904–1975 Shostakovich, ...
"The process by which a company identifies, frames, acts and reviews progress on problems, projects and proposals can be found in the structure of the A3 process ... follow the story of a manager ... and his report ... which will reveal how ...
This book is associated with the 'Data Literacy Level 1' on-demand online course: https://dataliteracy.com/courses/data-literacy-level-1 For most of us, it's rare to go a full day without coming across data in the form of a chart, map or ...
This workbook explains in simple, step-by-step terms how to introduce and sustain lean flows of material and information in pacemaker cells and lines, a prerequisite for achieving a lean value stream.A sight we frequently encounter when ...
In Graffiti: Learning to See the Art in Ourselves, Erin Davis applies the language of God's Word on identity, beauty, and worth to the life of a contemporary young woman.
Though educators have tried a wide range of remedies, dismal results persist. This is especially true for low-income youth of color, who drop out of school—and into incarceration—at extremely high rates.
This companion text to the author's Learning to Look at Paintings addresses some of the questions most commonly asked about modern art, covering key movements of the modern and postmodern periods in a richly illustrated and engaging volume.
In this long awaited follow-up to the best-selling An Altar in the World, Barbara Brown Taylor explores ‘the treasures of darkness’ that the Bible speaks about.
When everything in her life came to a stop, Pastor Juanita Rasmus found that she had to learn to be—with herself and with God—all over again.