Set in Vancouver circa 1914, End Dream follows the death of a young Scottish nanny employed by a member of the political and social elite of the era, a death which raises questions of murder and suicide. Moving Pictures is a theatrical tracing of the life of Nell Shipman who as an actress sang, danced and hammed her way across North America in the early 1900s. Angel's Trumpet is a play about Scott and Zelda Fitzgerald.
Set in Vancouver circa 1914, End Dream follows the death of a young Scottish nanny employed by a member of the political and social elite of the era, a death...
Humour leavens this drama of a father and daughter’s struggle to love, to forgive, and to understand in order to go on. Doc was first produced in 1984 at Theatre Calgary and has since been produced widely elsewhere.
In Making Theatre: A Life of Sharon Pollock, Sherrill Grace has written the story of Pollock's life from her family roots in New Brunswick through her pioneering years as a...
... Sharon Pollock, NeWest Press, 1981, p. 8. Gilbert, S. R. “Sharon Pollock” in Contemporary Dramatists, edited by James Vinson, St. Martin's Press, 1983, pp. 64245. Knowles, Richard Paul. “Sharon Pollock: Personal Frictions” in Atlantic ...
This brand new edition features the plays that established Sharon Pollock as a major Canadian playwright and gained her many accolades, among them, the first ever Governor Generalrsquo;s Award for...
A United Empire Loyalist family flees from Boston to New Brunswick during the American Revolution.
A historical documentary of Sitting Bull's exile in Canada after Little Big Horn. Cast of 3 women and 11 men.
In Saucy Jack, the author of Blood Relations and Doc, Sharon Pollock, implicates the most upper echelons of British society in the brutal murders of London's prostitutes.
In Saucy Jack, Pollock implicates the most upper echelons of British society in the brutal Jack-the-Ripper murders of London's prostitutes.
Il volume propone una rilettura delle tre opere teatrali di Sharon Pollock come ricostruzione di fatti storici, sollevando l'interrogativo legato alla concezione di storia come verità oggettiva.